The spin‐off as television program form and strategy
Bibliographic Data
| ID | 7513262 |
|---|---|
| Authors | Robert V Bellamy (corresponding author), Daniel G Mcdonald, James R Walker (0000-0003-1470-858X) |
| Year | 1990 |
| Volume | 34 |
| Issue | 3 |
| Pages | 283-297 |
| Publication date | 1990-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Broadcasting & Electronic Media (JOURNAL) |
| Journal identifiers | ISSN: 0883-8151 • E-ISSN: 1550-6878 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/08838159009386743 |
| OpenAlex | W1967646799 |
| Language | EN |
| Citations received | 9 |
| References cited | 5 |
The spin‐off program, defined as “a new program derived from an existing one, usually through the appropriation of characters, “ has been used frequently as a primetime network television scheduling strategy since the 1960s. Implicit in the scheduling of spin‐off programs is the belief that they have a greater chance of success than non‐spin‐offs because the audience is already familiar with the characters and/or the situational aspects of the program. The purpose of this paper is to test this implied proposition through statistical analysis
Appropriation · Epistemology · Operations management · Proposition · Scheduling (production processes · Situational ethics · Computer Science · Engineering · Media Studies and Communication · Psychology · Social Psychology
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| Unique citing works | 9 |
|---|---|
| Citations per year | 0,32 |
| Citation span | 1998 - 2022 (25) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 9 |