Early Western-Style Paintings in Japan
Bibliographic Data
| ID | 20042387 |
|---|---|
| Authors | Michael Cooper (0000-0002-2592-2648, corresponding author) |
| Year | 1996 |
| Pages | 30-45 |
| Publication date | 1996-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | CHAPTER |
| Venue | Japan and Christianity (SOURCE_BOOK) |
| Publisher | Palgrave Macmillan UK (PUBLISHER) |
| DOI | 10.1007/978-1-349-24360-0_3 |
| OpenAlex | W2478616760 |
| ISBN | 9781349243600 |
| Language | EN |
Impact, influence, and cultural contribution are terms notoriously difficult to assess, as regards both quantity and quality, when studying transcultural relations between two civilisations. To make one’s point, there is always a tendency to exaggerate the effect that a culture has had upon another society, to see ideal results that perhaps were not nearly so significant as might be fondly supposed. Such a danger is certainly present in the study of nanbanjin, or the Southern Barbarians, as the Japanese unflatteringly dubbed the early Spaniards and Portuguese who came to their country
Aesthetics · Art · Art history · Linguistics · Literature · Painting · Political science · Portuguese · History · Japanese History and Culture · Law · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |