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Musicians, singers and other artistes as workers in the British music hall, 1900–1918

Bibliographic Data

ID20072361
AuthorsJames Mullen (0000-0002-9822-0591, Institut de Recherche Interdisciplinaire sur les Enjeux Sociaux, corresponding author), John Mullen (corresponding author)
Year2018
Pages170-188
Publication date2018-03-15
Open AccessNo
TypeCHAPTER
VenueMusic Profession in Britain, 1780-1920 (SOURCE_BOOK)
PublisherRoutledge (PUBLISHER • GB)
DOI10.4324/9781315265001-10
OpenAlexW2904530005
ISBN9781315265001
LanguageEN

The music hall in Britain has an image as old-time, classless entertainment, as commemorated in the long-running television show, The Good Old Days. This chapter looks at the development of music hall working conditions and union organization from 1900 to 1920, concentrating on three key moments: the turn of the century, the great London strike of 1907, and the years of the First World War. A survey of the industry in 1900 shows that there was a tremendous amount of money being made. The music halls, now several hundred in number, were growing in size and in capitalization. The industry was ever more professional, and theatres were tightly run businesses. A series of trade unions made up the alliance that ran the strike. The Variety Artistes Federation had been founded in 1906 by delegates from three existing organizations

Art · Visual arts · Cultural Industries and Urban Development · Musicology and Musical Analysis · Theater, Performance, and Music History

Highly citedNo

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