The Enduring Power of Praise-Abuse

Bhat Admen in Modern Times

Datos Bibliográficos

ID20072892
AutoresJ G Snodgra (0000-0003-2725-8063, autor de correspondencia), Jeffrey G Snodgrass
Año2006
Páginas143-166
Fecha de publicación2006-08-01
Peer ReviewedSí
Open AccessNo
TipoCHAPTER
RevistaCasting kings (SOURCE_BOOK)
EditorialOxford University PressNew York (PUBLISHER)
DOI10.1093/0195304349.003.0005
OpenAlexW2505430132
ISBN9780195304343
IdiomaEN
Referencias citadas101

This chapter focuses on the Bhats’ tactical narration of their religious history, and specifically the manner in which they present themselves as alternately Hindu or Muslim in order to gain employment as political propagandists for both India’s secular Congress Party and Hindu-nationalist Bhartiya Janata Party (B.J.P.). The chapter also examines how Bhats “cast” traditional Rajasthan in a puppet drama sponsored by a state-run bank meant to teach Indians an ethic of saving their money and planning for the future. Bhats are not entirely serious about the claim explored throughout the book that they are the former bards of kings. Instead, claims of royal ancestry are just one tool in a repertoire of tricks that Bhats use to advance in contemporary India. Bhat speech about kings, then, is less representative of true claims to royalty and more indicative of a bardic cleverness which forms a deeper basis of Bhat identity claims in contemporary Rajasthan

Aesthetics · Art · Drama · Economics · Genealogy · Hinduism · Literature · Media studies · Narrative · Nationalism · Political science · Politics · Praise · Sociology · Anthropological Studies and Insights · Gender Studies · History · Law · Philosophy · Religious studies · South Asian Cinema and Culture · Southeast Asian Sociopolitical Studies