A Unified Account
Pictorial, Photographic and Sculptural Seeing as Spectral Seeing
Bibliographic Data
| ID | 20142322 |
|---|---|
| Authors | Gary Kemp (0000-0002-9890-2445, University of Glasgow United Kingdom of Great Britain and Northern Ireland, corresponding author) |
| Year | 2020 |
| Volume | 86 |
| Issue | 3 |
| Pages | 341-358 |
| Publication date | 2020-06-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Theoria (JOURNAL) |
| Journal identifiers | ISSN: 0040-5825 • E-ISSN: 1755-2567 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/theo.12242 |
| OpenAlex | W3025003794 |
| Language | EN |
| References cited | 41 |
I extend my account involving the notion of “spectral seeing” from representation in painting (and drawing, etching, etc.) to representation in photography and sculpture. The account is psychological, but it steers clear of the psychological complexity often found in Wollheim‐derived accounts of pictorial representation; indeed no extra‐ordinary special sensory capacity is involved. That the account extends so naturally to these other non‐linguistic varieties of representation is a virtue of the account
Aesthetics · Art · Linguistics · Painting · Photography · Representation (politics) · Sculpture · Visual arts · Aesthetic Perception and Analysis · Multisensory perception and integration · Philosophy · Visual Culture and Art Theory
A Syncretistic Theory of Depiction
Origins of Objectivity
Picture, Image and Experience
Meaning
Depiction
The Role of Subject-Matter in Sculpture
Sculpture and Perspective
Sculpture
Illusion and Representation
The Blind Spot
Art and Illusion
Photographic Phenomenology as Cognitive Phenomenology
On Photography
Transparency and Two-Factor Photographic Appreciation
On Looking through Wollheim's Bifocals
Cinema as a Representational Art
Sculpture
Transparent Pictures
Photography and Representation
| Citation velocity | historical |
|---|---|
| Highly cited | No |