Locating More
The Dialogical Gardenscapes of Thomas More and Ellis Heywood’s Il Moro
Bibliographic Data
| ID | 20144014 |
|---|---|
| Authors | Heinz Lucas (0000-0003-0664-2859, University of Cambridge, corresponding author), Hannah Lucas (0009-0008-4408-3756) |
| Year | 2016 |
| Volume | 53 (Number 205 |
| Issue | 3-4 |
| Pages | 179-196 |
| Publication date | 2016-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Moreana (JOURNAL) |
| Journal identifiers | ISSN: 0047-8105 • E-ISSN: 2398-4961 |
| Publisher | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/more.2016.53.3-4.11 |
| OpenAlex | W2612558242 |
| Language | EN |
| References cited | 11 |
This essay explores the gardenscapes that Thomas More inhabited, and how these locations defined his writing and the critical canon. Through a study of both More’s works and the earliest posthumous recollections of the author in Ellis Heywood’s Il Moro, I consider how physical spaces and their respective environments of enclosure or exposure influenced More and posthumous remembrances of him
Art · Canon · Dialogical self · Epistemology · Humanities · Literature · Modernist Literature and Criticism · Philosophy · Poetry Analysis and Criticism · Themes in Literature Analysis
| Citation velocity | historical |
|---|---|
| Highly cited | No |