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Oopte en afbakening

Ruimtes en rame in die oeuvre van Lettie Viljoen

Bibliographic Data

ID20156314
AuthorsHeilna Du Plooy (0000-0003-3436-0808, corresponding author)
Year2000
Volume16
Issue2
Pages86-104
Publication date2000-06-01
Open AccessYes
TypeARTICLE
VenueJournal of Literary Studies (JOURNAL)
Journal identifiersISSN: 0256-4718 • E-ISSN: 1753-5387
PublisherUnisa Press (PUBLISHER • ZA)
DOI10.1080/02564710008530258
OpenAlexW2054005442
LanguageEN
References cited2

In this reading of the novels of Lettie Viljoen, spatiality is used as a point of departure. The relation between spatiality and temporality in the novels is discussed and the specific use of spatial aspects in the novels indicated. The article argues that these texts, particularly Landskap met vroue en slang (1996), foreground metaphysical concerns and that spatio‐temporal relations play an important role in emphasising these matters. The Heideggerian concept of Dasein is used in an attempt to clarify the manner in which the main character in the novel experiences space. The introduction of frames in the novel is seen not only as a technical procedure but also one through which the characters and the text interact with the enormity and infinity of reality. In conclusion the novel is seen as a profoundly poetic text in which the establishment of meaning is enacted by means of the word

Art · Epistemology · Existentialism · Linguistics · Literature · Metaphysics · Poetry · Sociology · Temporality · Computer Science · Hermeneutics and Narrative Identity · Mathematics · Narrative Theory and Analysis · Philosophy · Russian Literature and Bakhtin Studies

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    John Arthur Passmore•A hundred years of philosophy•1957

  • Die roman as polifonie

    Open Access•Louise Viljoen•Journal of Literary Studies•1993

Highly citedNo

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