Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Visualising the Rāmayāṇa

Power, Redemption and Emotion in Early Narrative Sculptures (c. Fifth to Sixth Centuries CE)

Bibliographic Data

ID20179626
AuthorsSeema Bawa (0000-0002-2780-4960, University of Delhi, corresponding author)
Year2018
Volume45
Issue1
Pages92-123
Publication date2018-06-01
Open AccessYes
TypeARTICLE
VenueIndian Historical Review (JOURNAL)
Journal identifiersISSN: 0376-9836 • E-ISSN: 0975-5977
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/0376983617748000
OpenAlexW2807695708
LanguageEN
Citations received3
References cited6

This article seeks to explore the images based on the Rāmayāna tradition within archaeological, cultural and literary contexts in late fifth and early sixth century ce. It uncovers elements of politico-religious agency, art and historical knowledge. Narrative panels, spatially located largely in central and north India, narrativise the episodes set in the forest represented in the Aranya and Kiskindhākānda. Evolution of narrative complexities through placement, composition and representational devices in terracotta and stone relief sculptures at sites such as Nachna Kuthara and Deogarh is traced. Rāma’s idealised character, expressed through renunciation, benevolence, ameliorative power, authority and dharma, emerges within the physical and emotional landscape of Rāmayāna imagery. Ideal and deviant behaviour is represented through narratives based on Ahalya, Anusuyā, Śūrpanakhā, Vālin and such characters. The construction of the ‘other’ in form of monkeys and demons, vānaras and rāksasas, in the visual discourse, and the fascination with devotion, romance and heroism that is projected through these is seen as a thread that runs through the Rāmayāna narratives

Aesthetics · Archaeology · Art · Buddhism · Dharma · Literature · Narrative · Renunciation · Romance · Sculpture · Sociology · Terracotta · Theology · Anthropological Studies and Insights · Eurasian Exchange Networks · History · Indian and Buddhist Studies · Philosophy

  • Cross-Cultural Exchange of Visual and Material Cultures

    Open Access•Seema Bawa•Studies in People’s History•2024

  • Tracing thematic evolution in Ramayana through digital space

    Open Access•Ishwaria Prabhakaran, Soumen Mukherjee•Cogent Arts and Humanities•2026

  • Thus spoke the stone women, Ahalya and Galatea

    Open Access•Himanshi Shinde, Mamta Anand•Critical Research on Religion•2026

  • The Power of a Poet

    Open Access•Upinder Singh•Indian Historical Review•2011

  • Empire, invasion, and India’s national epics

    Open Access•Alf Hiltebeitel•International Journal of Hindu…•1998

  • Art. VIII.—The Geography of Ráma's Exile

    Open Access•F E Pargiter•Journal of the Royal Asiatic…•1894

  • Kālidāsa and the Attitudes of the Golden Age

    Daniel H H Ingalls•Journal of the American Oriental…•1976

  • Sītā and Draupadī

    Sally J Sutherland, Sally Sutherland•Journal of the American Oriental…•1989

  • Rāmāyaṇa and Political Imagination in India

    Open Access•Sheldon Pollock•The Journal of Asian Studies•1993

Citations per year1.5
Citation span2024 - 2026 (3)
Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae