Playing with Religion in Contemporary Theatre
Bibliographic Data
| ID | 20206882 |
|---|---|
| Authors | Kees De Groot (0000-0002-7479-6238, Tilburg University, corresponding author) |
| Year | 2013 |
| Volume | 15 |
| Issue | 4 |
| Pages | 457-475 |
| Publication date | 2013-02-19 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Implicit Religion (JOURNAL) |
| Journal identifiers | ISSN: 1463-9955 • E-ISSN: 1743-1697 |
| Publisher | Equinox Publishing (PUBLISHER • GB) |
| DOI | 10.1558/imre.v15i4.457 |
| OpenAlex | W2147398251 |
| Language | EN |
| Citations received | 5 |
| References cited | 8 |
Contemporary theatre sometimes uses religious language, symbols, and poses. What do these references mean? Reflection on four productions shows the usefulness of tools developed in the study of liturgy. First, this helps to produce an account of the roles of the sacred and of community in theatre shows. Secondly, this throws light on the appearance of religion in ‘liquid modernity’. Thirdly, the study of religion in theatre shows how boundaries between fields are fluid – not only between arts and religion, but also between the field of arts and the academic field. Both deal with the significance of religion in a world where religious traditions are questioned and used, both in and outside the religious sphere
Aesthetics · Art · Epistemology · Liturgy · Modernity · Sociology · The arts · Theology · Visual arts · Irish and British Studies · Philosophy · Religious studies · Theatre and Performance Studies
| Unique citing works | 5 |
|---|---|
| Citations per year | 0,56 |
| Citation span | 2017 - 2025 (9) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 5 |