The Making of a Terrorist

This article analyzes portrayals of paramilitary fighters in Irish literature from the Troubles (1968–1998). While the conflict between Protestant loyalists and Catholic nationalists has provoked many literary responses, most focus on noncombatants. This article reads Edna O’Brien’s novel House of Splendid Isolation (1994) and Anne Devlin’s story “Naming the Names” (1986), two texts that succeed in portraying paramilitary characters as complex individuals who are not wholly defined by their violent acts, but each reaches a limit of imagination as well. In House of Splendid Isolation the paramilitary character Mac chooses silence over justifying himself to a hostile audience, and in “Naming the Names” the stream of consciousness style becomes increasingly fragmented, suggesting the paramilitary narrator is on the verge of a breakdown. As a result, both characters remain enigmatic, with aspects of their motives and thinking not fully intelligible. Both texts show that it is a struggle for a noncombatant to understand a paramilitary’s point of view, but these texts make readers want to engage in that struggle

Aesthetics · Art · Consciousness · Epistemology · Irish · Linguistics · Literature · Political science · Protestantism · Reflexive pronoun · Silence · Sociology · Terrorism · Grief, Bereavement, and Mental Health · History · Irish and British Studies · Law · Philosophy · Policing Practices and Perceptions

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