‘The Good Terrorist(s)’? Interrogating Gender and Violence in Ann Devlin’s ‘Naming the Names’ and Anna Burns’ No Bones
Bibliographic Data
| ID | 21187389 |
|---|---|
| Authors | Fiona Mccann (0000-0001-5827-4440, Université de Lille) |
| Year | 2012 |
| Issue | 7 |
| Pages | 69-78 |
| Publication date | 2012-03-15 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Estudios Irlandeses (JOURNAL) |
| Journal identifiers | ISSN: 1699-311X • E-ISSN: 1699-311X |
| Publisher | Estudios Irlandeses (PUBLISHER) |
| DOI | 10.24162/ei2012-1839 |
| OpenAlex | W232747162 |
| Language | EN |
| Citations received | 3 |
| References cited | 5 |
Strong, powerful, militant women loom large in the mythology and history of Ireland, and yet, as Brendan Kennelly has pointed out, “he history, or herstory, of Irish women is rather like that of the Irish language– much talked about but little heard” (1995: xx). From Queen Medb of Connaught to Constance Markievicz and from the women
Archaeology · Art · Depiction · Gentry · Literature · Monster · Sociology · Crime, Deviance, and Social Control · Gender Studies · History · Irish and British Studies · Joseph Conrad and Literature
| Citations per year | 0.43 |
|---|---|
| Citation span | 2019 - 2026 (8) |
| Highly cited | No |