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Reality TV

Its contents and discontents

Bibliographic Data

ID20260902
AuthorsMisha Kavka (0000-0003-0546-4421, Media and Communication The University of Auckland Private Bag 92019 Auckland 1142 New Zealand, corresponding author)
Year2018
Volume60
Issue4
Pages5-18
Publication date2018-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCritical Quarterly (JOURNAL)
Journal identifiersISSN: 0011-1562 • E-ISSN: 1467-8705
PublisherWiley (PUBLISHER • GB)
DOI10.1111/criq.12442
OpenAlexW2914894995
LanguageEN
Citations received3
References cited11

This article offers an overview of major trends in contemporary reality television scholarship, mapped against changes in the content, formats, performance modes and viewer appeal of reality TV itself.It follows the influential scholars of reality television by locating the interest of the genre in its relationship to larger social and political formations, including questions of governmentality and the self, nationhood and globalism, gender and sexuality, class and race, and performance and affect.An argument is made in support of claims that reality TV does not merely represent but also constitutes social categories through their enactment by participants on screen in a way that draws audiences' affective engagement.Although the hypervisible manifestations of gender, sexuality and race paraded on contemporary reality TV may be questionable, particularly as assessed by recent scholarship on portrayals of black womanhood, it is precisely in the interrogations of its discontents that reality TV proves to be most productive

Advertising · Citation · Library science · Media studies · Sociology · Computer Science · Security, Politics, and Digital Transformation · Sociopolitical Dynamics in Russia

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Unique citing works3
Citations per year1,5
Citation span2024 - 2026 (3)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 3

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