Meta-authenticity and fake but real virtual influencers
A framework for artificial sociality analysis and ethics
Bibliographic Data
| ID | 6443396 |
|---|---|
| Authors | Do Own Kim (0000-0001-9044-1130, University of Illinois Chicago, corresponding author) |
| Year | 2025 |
| Volume | 27 |
| Issue | 10 |
| Pages | 5568-5591 |
| Publication date | 2025-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | New Media & Society (JOURNAL) |
| Journal identifiers | ISSN: 1461-4448 • E-ISSN: 1461-7315 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/14614448251338272 |
| OpenAlex | W4414812445 |
| Language | EN |
| Citations received | 2 |
| References cited | 64 |
This article studies the negotiation of humanness in artificial sociality by examining the cyborg case of humanlike virtual influencers and their performance of authenticity, drawing on phenomenological ethnographic research. Based on the findings, I propose the framework of “meta-authenticity”—the flexible, co-constructive process of self-referential (in)authenticity performances. Virtual influencers’ meta-authenticity was a dynamic outcome of collaborative performances by entangled human and nonhuman actors. Meta-authenticity’s theoretical and practical contributions are demonstrated, including through an illustrative application. Then, I reflect on meta-authenticity’s implications on human cultures, such as regarding artificial sociality’s capacities to provide authentic interaction on and as per demand, followed by suggestions for ethical practices. As an accountability-integrated framework, meta-authenticity encourages nuanced critical assessments of artificial sociality’s “real” actors and consequences
Media Influence and Health · Misinformation and Its Impacts · Social and Intergroup Psychology
The Influencer Industry
Reality TV
Mediated Authenticity
Human-Machine Communication
How We Became Posthuman
Reality TV
Robot Rights
In the hands of machines? The future of aged care
False idols
Imagining the thinking machine
The weirdest people in the world?
(Not) Getting Paid to Do What You Love
Media Materialties
Building a Stronger Casa
Social Responses to Media Technologies in the 21st Century
Artificial Sociality
Opening Space for Theoretical, Methodological, and Empirical Issues in Human-Machine Communication
Ethics of Authenticity
Real but Fake, Real Because Fake
Reality TV
Hatsune Miku, Virtual Machine-Woman
Simulacra and Simulation
Coming of Age in Second Life
Soft coercion
The Voice
Spectacularized and Branded Digital (Re)presentations of Black People and Blackness
The Synthespian’s Animated Prehistory
Artificial intelligence and communication
Parasocial interactions with real and virtual influencers
Making virtual celebrity
Always Available, Always Attached
AI-Mediated Communication
Ideal technologies, ideal women
Asking "Good" Questions
Deceitful Media
Uncovering the Essence
I am a virtual girl from Tokyo
The #nofilter Self
My Chatbot Companion - a Study of Human-Chatbot Relationships
Actor-Network Theory and methodology
De-celebrification
This is Not a Boundary Object
The authenticity of social-media performance
Make-Believe
Simians, Cyborgs, and Women
Influencer Management Tools
Phenomenological Ethnography in Sociology and Anthropology
Life-World-Analytical Ethnography
The Masses and the Media
| Unique citing works | 2 |
|---|---|
| Citations per year | 2 |
| Citation span | 2026 - 2026 (1) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 2 |