Popular Music
Concentration and Diversity in the Industry, 1974–1980
Bibliographic Data
| ID | 20299397 |
|---|---|
| Authors | Eric W Rothenbuhler, John W Dimmick, John Dimmick (The Ohio State University) |
| Year | 1982 |
| Volume | 32 |
| Issue | 1 |
| Pages | 143-149 |
| Publication date | 1982-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Communication (JOURNAL) |
| Journal identifiers | ISSN: 0021-9916 • E-ISSN: 1460-2466 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1111/j.1460-2466.1982.tb00485.x |
| OpenAlex | W2165593025 |
| Language | EN |
| Citations received | 35 |
| References cited | 8 |
Eric W. Rothenbuhler, John W. Dimmick; Popular Music: Concentration and Diversity in the Industry, 1974–1980, Journal of Communication, Volume 32, Issue 1
Diversity (politics) · Graduate students · Library science · Media studies · Music education · Music industry · Pedagogy · Sociology · State (computer science) · Anthropology · Computer Science · Cultural Industries and Urban Development · History · Music History and Culture
Gone country
Good times and endless love
Diversidade cultural nos mercados de comunicação e cultura
Monometapoly or the Economics of the Music Industry
E-commerce Business Models for the Music Industry
Social Context and Musical Content of Rap Music, 1979-1995
Entropy and Popular Culture
Innovation and Diversity in the Popular Music Industry, 1969 to 1990
Everyday I Write the Book
The Enemy of Music
The Implications of Ownership Changes on Concentration and Diversity in the Phonogram Industry
Concentration and Diversity Revisited
Reading Billboard 1979–89
Strip mining for cold and platinum
Political orientation and music preference in the 1980s
Cycles in Symbol Production Research
Cultural heterogeneity in capitalist society
The Popular Music Industry in Transition
The changing role of women executives in the recording industry
The British invasion of American popular music
Latin Music in the United States
Economic Concentration in the Videocassette Industry
Deconstructing the Diversity Principle
The recording industry
SoundScan and the consolidation of control in the popular music industry
The music industry and the `cultural imperialism' thesis
Peterson and Berger revisited
When Art Loses its Sting
A New Type of (White) Provider
Concentration, diversity, and consequences
Predicting cultural output diversity in the radio industry, 1989-2002
The US Recorded Music Industry
Cycles in symbol production? A new model to explain concentration, diversity and innovation in the music industry
And the hits just keep on coming
Charting race
| Unique citing works | 35 |
|---|---|
| Citations per year | 0,85 |
| Citation span | 1985 - 2020 (36) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 27 |