Overshoot in licensing-driven harmony
Bibliographic Data
| ID | 20399753 |
|---|---|
| Authors | Aaron Kaplan (0000-0001-5626-0897, University of Utah, corresponding author) |
| Year | 2019 |
| Volume | 36 |
| Issue | 4 |
| Pages | 605-626 |
| Publication date | 2019-11-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Phonology (JOURNAL) |
| Journal identifiers | ISSN: 0952-6757 • E-ISSN: 1469-8188 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0952675719000319 |
| OpenAlex | W3002767118 |
| Language | EN |
| References cited | 17 |
Kaplan (2018a) argues for a positive and gradient version of positional licensing in Harmonic Grammar. A chief difference between this formalism and standard positional licensing is that it predicts that harmony whose goal is to place a feature in a licensing position may overshoot its target by extending beyond the licensing position. Centralisation harmony in Tudanca Montañés bears out this prediction: though harmony triggered by a final vowel typically stops at the stressed syllable, under particular circumstances it extends into the pretonic domain. Positive gradient positional licensing is indispensable in an account of this. It plays a central role in a gang effect that drives overshoot, an interaction that cannot be replicated with standard versions of positional licensing
Art · Cognitive psychology · Grammar · Linguistics · Natural language processing · Speech recognition · Telecommunications · Vowel · Vowel harmony · Computer Science · Linguistic Variation and Morphology · Natural Language Processing Techniques · Philosophy · Phonetics and Phonology Research · Psychology · Artificial Intelligence
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| Highly cited | No |
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