Long-term melodic expectation

The report provides a brief account of an experiment whose control conditions produced interestingly counter-intuitive results. The method adapted priming techniques to explore whether imagining well-known melodies would facilitate perceptual discrimination of congruent compared to incongruent melodic continuations in a syllable identification task. This was shown to be the case, but in a subsequent control experiment, imagining an irrelevant lure melody also showed a priming effect. The persistent priming effect apparently related the target sequence to the aurally presented, nonadjacent opening notes, and not to the intervening mental image. A number of statistical analyses of the pitch relationships in match and mismatch targets were performed and a further experiment is reported in which participants explicitly selected between match and mismatch versions of the stimuli for fit within the prime context. It seems that the pitch proximity of the first target note to the final note of the sounded prime may be responsible for the priming effect. An outline of further research to explain the phenomenon is suggested, including experiments to test the strength of melodic priming governed by pitch proximity, by systematically varying the length of the period between prime and target

Cognition · Cognitive psychology · Combinatorics · Lexical decision task · Melody · Musical · Perception · Physics · Response priming · Speech recognition · Syllable · Communication · Computer Science · History · Mathematics · Multisensory perception and integration · Music and Audio Processing · Neuroscience · Neuroscience and Music Perception · Psychology

• Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys.

  Carol L Krumhansl, Edward J Kessler•Psychological Review•1982

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• PsyScope

  Open Access•Jonathan Cohen, Brian Macwhinney et al.•Behavior Research Methods,…•1993

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