Sustained Tones and the Auditory Experience
Bibliographic Data
| ID | 20486111 |
|---|---|
| Authors | Richard Glover (0000-0002-6965-8797, University of Huddersfield, corresponding author) |
| Year | 2012 |
| Volume | 22 |
| Pages | 56-57 |
| Publication date | 2012-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo Music Journal (JOURNAL) |
| Journal identifiers | ISSN: 0961-1215 • E-ISSN: 1531-4812 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/lmj_a_00096 |
| OpenAlex | W1991573246 |
| Language | EN |
| Citations received | 1 |
| References cited | 1 |
The author describes his approach to using sustained tones in his compositional work and how he harnesses acoustical and psychoacoustical occurrences to create individual listening experiences
Audiology · Speech recognition · Communication · Computer Science · Diverse Music Education Insights · Medicine · Music Technology and Sound Studies · Psychology
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,07 |
| Citation span | 2011 - 2011 (1) |
| Citation velocity | historical |
| Highly cited | No |