Application of Musical Computing to Creating a Dynamic Reconfigurable Multilayered Chamber Orchestra Composition
Bibliographic Data
| ID | 20486287 |
|---|---|
| Authors | Alexis Kirke (0000-0001-8783-6182, University of Plymouth, corresponding author) |
| Year | 2019 |
| Volume | 29 |
| Pages | 55-61 |
| Publication date | 2019-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo Music Journal (JOURNAL) |
| Journal identifiers | ISSN: 0961-1215 • E-ISSN: 1531-4812 |
| Publisher | MIT Press (PUBLISHER • US) |
| DOI | 10.1162/lmj_a_01064 |
| OpenAlex | W2974628385 |
| Language | EN |
| References cited | 1 |
With increasing virtualization and the recognition that today’s virtual computers are faster than hardware computers of 10 years ago, modes of computation are now limited only by the imagination. Pulsed Melodic Affective Processing (PMAP) is an unconventional computation protocol that makes affective computation more human-friendly by making it audible. Data sounds like the emotion it carries. PMAP has been demonstrated in nonmusical applications, e.g. quantum computer entanglement and stock market trading. This article presents a musical application and demonstration of PMAP: a dynamic reconfigurable score for acoustic orchestral performance, in which the orchestra acts as a PMAP half-adder to add two numbers
Art · Cloud computing · Computation · Melody · Musical · Musical composition · Operating system · Quantum · Quantum computer · Virtualization · Visual arts · Computer Science · Music Technology and Sound Studies · Neural Networks and Applications · Neural Networks and Reservoir Computing
| Highly cited | No |
|---|