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From Google Doodles to Facebook

Nostalgia and Visual Reconstructions of the Past in Nigeria

Bibliographic Data

ID2098482
AuthorsJames Yékú (0000-0002-9342-1255), Ayobami Ojebode (0000-0003-1158-8578)
Year2021
Volume64
Issue3
Pages498-522
Publication date2021-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAfrican Studies Review (JOURNAL)
Journal identifiersISSN: 0002-0206 • E-ISSN: 1555-2462
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/asr.2020.118
OpenAlexW3155142970
LanguageEN
Citations received4
References cited24

In June 2019, Google announced plans to connect Africa to Europe through an undersea internet cable project named Equiano. As a techno-commercial platform, Google's gesture warrants scrutiny and propels this essay's analyses of the political connections of Internet spaces that also enable a visual turn in the scholarship of African history. Using the Google search engine and Facebook, Yékú and Ojebode stress the embeddedness of digital technologies in cultural meanings that include visual narratives that visibilize government's ahistoricism. They conclude by foregrounding the digital labors of Nigerian digital subjects who deploy historical photographs on Facebook as expressions of performative nostalgia

Aesthetics · Art · Foregrounding · Front (military · Gesture · Government (linguistics · Literature · Media studies · Narrative · Performative utterance · Political science · Politics · Scholarship · Scrutiny · Sociology · The Internet · Visual arts · World Wide Web · African history and culture studies · Anthropological Studies and Insights · Computer Science · Engineering · Law · Music History and Culture

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  • Virtual Mourning and Memory Construction on Facebook

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  • Why the Net is not a Public Sphere

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Unique citing works4
Citations per year1,33
Citation span2023 - 2025 (3)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 4

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