Tangled Memories
The Vietnam War, the Aids Epidemic, and the Politics of Remembering
Bibliographic Data
| ID | 19608586 |
|---|---|
| Editors | Marita Sturken |
| Year | 1997 |
| Pages | 375 |
| Publication date | 1997-12-31 |
| Open Access | No |
| Type | BOOK |
| Reviewed by | Tangled Memories: The Vietnam War, the Aids Epidemic, and the Politics of Remembering, D Chidester, 1998 |
| Venue | Tangled Memories (SOURCE_BOOK) |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/9780520918122 |
| OpenAlex | W4390009057 |
| Open Library | OL29603300M |
| ISBN | 9780520918122 |
| Language | EN |
| Citations received | 738 |
Analyzing the ways U.S. culture has been formed and transformed in the 80s and 90s by its response to the Vietnam War and the AIDS epidemic, Marita Sturken argues that each has disrupted our conventional notions of community, nation, consensus, and "American culture." She examines the relationship of camera images to the production of cultural memory, the mixing of fantasy and reenactment in memory, the role of trauma and survivors in creating cultural comfort, and how discourses of healing can smooth over the tensions of political events. Sturken's discussion encompasses a brilliant comparison of the Vietnam Veterans Memorial and the AIDS Quilt; her profound reading of the Memorial as a national wailing wall—one whose emphasis on the veterans and war dead has allowed the discourse of heroes, sacrifice, and honor to resurface at the same time that it is an implicit condemnation of war—is particularly compelling. The book also includes discussions of the Kennedy assassination, the Persian Gulf War, the Challenger explosion, and the Rodney King beating. While debunking the image of the United States as a culture of amnesia, Sturken also shows how remembering itself is a form of forgetting, and how exclusion is a vital part of memory formation
Asian American and Pacific Histories · Computer Science · 1961-1975 · 1991 · AIDS (Disease) · Memory · Persian Gulf War · Political Culture · united states · Vietnam war
Exhibiting Atrocity
Tradução e memória
How to Make Music in an Epidemic
Educação, História E Games
O que estudam os estudos de cultura visual
Pearl Harbor and September 11
Making Good on Debt
In the spirit of self-mockery? Labour heritage and identity in the Potteries
The Birthplace of Australian Multiculturalism?' Retrospective Commemoration, Participatory Memoralisation and Official Heritage
Memorial meshwork
The appropriation of American war memories
The Slave Trade as Memory and History
Hope Is Forked
The Sexual Politics of Abu Ghraib
On difficult history displayed
Private griefs, public places
Acts of belonging
The political ecology of water memory
Historic Truths Looking at Earth
American Reporting of School Violence and `People Like Us
Of Rage and Remembrance, Music and Memory
Translations-Generations
US Military Nationalism and the Intimate Public Sphere
Memories of Interracial Contacts and Mixed Race in Dutch Cinema
Iraq in My Bones
Intimate Pasts Resurrected and Released
Prime Time Commemoration
From Sorrow to Activism
The Fielding H. Garrison Lecture
Ramona Memories
Commemorative Activities of the Great War and the Empowerment of Elderly Immigrant Soviet Jewish Veterans in Israel
Vietnam and Iraq
Money as Mass Communication
The power of vulnerability
Connective Memory Work on Justice for Mike Brown
Collective Memory
“She's the Real Thing”
The British monarchy on screen
Post-colonial Immigrants and Identity Formations in the Netherlands
The Ruptured Battlefield
Reframing the Indian Dead
Public Identity and Collective Memory in U.S. Iconic Photography
The Crisis Approach
De-commemoration commemorated
Curated ruins
Melville's Untimely History
Nationalizing the Gay Body
Movement, Knowledge, Emotion – Gay Activism and HIV/Aids in Australia
Occupied from within
Labor, Memory, and the Boundaries of Print Culture
Re-membering Black Greeks
Mad Men’s Postracial Figuration of a Racial Past
Placing Empire
Remembering Relationality
Music and Canadian Nationhood Post 9/11
Reanimating Historical Violence in Multi-Ethnic Graphic Narratives
The Refugee Repertoire
Remembering Blaenavon
Souvenirs to Forget
The Place That Holds Our Stories
Re/Covered Bodies
Embodied Knowledges
Ghosts and Other Unfinished Conversations
Bridging Collective Memories and Public Agendas
Un(di)ing legacies
The Geography of Things That May Become Memories
What is remembered lives
Nation branding in contemporary Taiwan
Useful Memory” in Time Inc. Magazines
The Abu Ghraib torture photographs
Place, Persistence, and Practice
Visual Culture, Public Space, and Piety in Focus on the Family'sCitizenMagazine
Post‐monumentalne miejsca pamięci jako aktywne narzędzia doświadczenia (post)holocaustowego i (post)pamięci
Ideological Interpellations in the Films about the Ukrainian People’s Republic in the Ukrainian Cultural Context (based on “Symon Petliura’s Secret Diary” (2018) and “Kruty 1918” (2019))
High-Touch Media
Muistikulttuurien välissä
Digital Memory, Pandemic Temporalities
Finnish Right to Be -Citizens Initiative Campaign and the “Feeling of Being Counted
Re-membering Beauty
The Question of Contextualized ‘Frozen Memory’ in the Self-Narratives of the Aged
Performing memory and testimony after a national disaster
Ausencia de justicia e imposibilidad de reconciliación en el cine de posconflicto peruano
Kolektif Hafızanın Karanlık Yüzü
Memory of War. Remembering Hollywood’s Vietnam War in Call of Duty
Villes en ruine dans le récit de guerre américain / City Ruins in American War Narratives
Commemorating trauma
Histories of 1938 in Turkey
Memory, Myth, and The National Mall
Diaspora Reversed
The Suicide of Leelah Alcorn
Public Memorializing in the Stadium
Afro-Spanish countervisual genealogies of Blackness in Rubén H. Bermúdez’s Y tú, ¿por qué eres negro
LGBTQ+ themed public art
Folklore, politics, and the state
Uncomfortable quilts
Toward a (New) Materialist Politics of Traditional Cultural Properties (Tcps), or Encountering the Rubber-Bands of Space-Time and Capacities of Place
Visual images as affective anchors
We are Marshall Bloom
Remember, remember, 11 September
Everybody's coming back a hero
| Unique citing works | 533 |
|---|---|
| Citations per year | 25,45 |
| Citation span | 1997 - 2026 (30) |
| Citation velocity | current |
| Highly cited | Yes |
| Citation types | Neutral: 707 |