Challenging the frivolities of power
The ubiquitous camera and Nigerian political elites
Bibliographic Data
| ID | 2103436 |
|---|---|
| Authors | George Emeka Agbo (corresponding author) |
| Year | 2019 |
| Volume | 89 |
| Issue | 2 |
| Pages | 286-302 |
| Publication date | 2019-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Africa (JOURNAL) |
| Journal identifiers | ISSN: 0001-9720 • E-ISSN: 1750-0184 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0001972019000068 |
| OpenAlex | W2946268423 |
| Language | EN |
| Citations received | 2 |
| References cited | 24 |
The last decade has witnessed the ubiquitous presence of camera devices, from conventional cameras to communication gadgets (such as mobile phones, iPads and tablets), built with the capacity to produce, edit, disseminate and interact through photographs. In this article, I analyse visual materials circulated on Facebook, YouTube and Nairaland (a locally popular social-networking website used by Nigerians) to demonstrate how the ubiquity of the camera, its overt and surreptitious use, and the transformation and circulation of the resulting photographs constitute political acts in a postcolonial African context. The camera's ubiquity encompasses the increasing availability of photographic devices, but also the growing, and politically charged, inclination to put them to use, framing the world through which their users move. The production and dissemination of the resulting photograph gives it the status of an eyewitness account, amidst contestations that heighten its force as political articulation. Lastly, the ubiquitous camera is a means through which the public observes, polices and exposes the duplicity of state functionaries. The article contributes to an understanding of the ways in which digital infrastructure allows public access to the political undertaking of photography
Art · Context (archaeology · Framing (construction · Internet privacy · Media studies · Mobile device · Photography · Political science · Politics · Power (physics · Sociology · Visual arts · World Wide Web · African history and culture studies · African Sexualities and LGBTQ+ Issues · Anthropological Studies and Insights · Computer Science · History · Law
The Burden of Representation
Citizen Witnessing
Photography’s Other Histories
Portraiture and Photography in Africa
Reflections on #Occupy Everywhere
Amateur photographic practice, collective representation and the constitution of place
The Language of New Media
Ubiquitous Photography
Yoruba Photography
African Photographer J.A. Green
Self and Accessory in Gambian Studio Photography
The spectacle of aso ebi in Lagos, 1990-2008
Portraits of Modernity
The Struggle Complex
Santu Mofokeng, Photographs
Challenging the frivolities of power
| Unique citing works | 2 |
|---|---|
| Citations per year | 0.29 |
| Citation span | 2019 - 2019 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |