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Rethinking the Phantasmagoria

An enclosure and three worlds

Bibliographic Data

ID21158060
AuthorsFrancesco Casetti (0000-0002-0347-4688, corresponding author)
Year2022
Volume21
Issue2
Pages349-373
Publication date2022-08-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Visual Culture (JOURNAL)
Journal identifiersISSN: 1470-4129 • E-ISSN: 1741-2994
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/14704129221112975
OpenAlexW4313464523
LanguageEN
Citations received1
References cited19

The Phantasmagoria was not just a spectacle based on projections of images of ghosts and monsters. Relying upon new archival findings, this article claims that the Phantasmagoria was instead an optical–environmental dispositive that combined an enclosed space with the exploration of three worlds: the otherworld of the Dead, the physical world of Nature, and the inner world of spectators’ Interiority. While its ultimate goal was to provide an unconventional map of the three domains that were of the greatest interest at the time, its combined interest in a spatial arrangement and a visual address suggests the need for a new, rhizomatic archaeology in which to include the screen-based dispositives

Aesthetics · Art · Art history · Enclosure · Spectacle · Visual arts · Art History and Market Analysis · Cinema and Media Studies · Computer Science · Law · Philosophy · Visual Culture and Art Theory

  • The phantasmagoria of screenscapes

    Jaeho Kang•Journal of Japanese and Korean…•2026

  • Ghostly Apparitions

    Stefan Andriopoulos•Ghostly Apparitions•2013

  • On the Screen

    Ariel Rogers•On the Screen•2019

  • The Female Thermometer

    Terry Castle•The female thermometer•1995

  • The Imaginary

    Jean-Paul Sartre, Jean‐paul Sartre et al.•The Imaginary•2004

  • The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde

    Tom Gunning•Early Cinema•1990

  • Discipline and Punish

    Michel Foucault, Simon Prebble•Surveiller et punir•2019

  • Virtual Art

    Oliver Grau•Virtual Art•2002

  • After the Map

    Anne Kelly Knowles•The AAG Review of Books•2018

  • Géricault, the Panorama, and Sites of Reality in the Early Nineteenth Century

    Jonathan Crary•Grey Room•2002

  • The Phantasmagoric Dispositif

    Noam M Elcott•Grey Room•2016

  • The Cinema, or The Imaginary Man

    Martha Blassnigg•Leonardo•2006

  • Communication as Culture, Revised Edition

    James W Carey, J William Carey•Communication as culture•2008

Unique citing works1
Citations per year1
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

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