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‘Le Pavé Rouge’

Making an Example of John Singer Sargent

Bibliographic Data

ID21158539
AuthorsHadrien Viraben (0000-0002-9751-0693, Groupe de recherche d’histoire, corresponding author)
Year2018
Volume19
Issue1
Pages27-48
Publication date2018-01-02
Open AccessNo
TypeARTICLE
VenueVisual Culture in Britain (JOURNAL)
Journal identifiersISSN: 1471-4787 • E-ISSN: 1941-8361
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14714787.2018.1441744
OpenAlexW2793503507
LanguageFR
References cited2

‘Le Pavé Rouge’ is the ironic title given by Robert de Montesquiou to a monographic article he devoted to John Singer Sargent in France in 1905. Within a frank condemnation of the American painter, the aesthete wove around Sargent’s name a complex network of his own personal enemies (artists, writers, collectors) as other targets of his article. This article tries to establish how Montesquiou reinvested his own ambitions in a declaration of war. The aim is to show how Sargent becomes a strategic issue for Montesquiou’s agenda as an art critic, writer and pre-eminent figure of ‘le Tout-Paris’

Aestheticism · Art · Art history · Declaration · Humanities · Painting · Performance art · Political science · Diverse Cultural and Historical Studies · Historical Studies and Socio-cultural Analysis · Law

  • John Singer Sargent

    Mary Crawford Volk, Richard Ormond et al.•The New England Quarterly•2000

Highly citedNo

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