‘Le Pavé Rouge’
Making an Example of John Singer Sargent
Bibliographic Data
| ID | 21158539 |
|---|---|
| Authors | Hadrien Viraben (0000-0002-9751-0693, Groupe de recherche d’histoire, corresponding author) |
| Year | 2018 |
| Volume | 19 |
| Issue | 1 |
| Pages | 27-48 |
| Publication date | 2018-01-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Visual Culture in Britain (JOURNAL) |
| Journal identifiers | ISSN: 1471-4787 • E-ISSN: 1941-8361 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/14714787.2018.1441744 |
| OpenAlex | W2793503507 |
| Language | FR |
| References cited | 2 |
‘Le Pavé Rouge’ is the ironic title given by Robert de Montesquiou to a monographic article he devoted to John Singer Sargent in France in 1905. Within a frank condemnation of the American painter, the aesthete wove around Sargent’s name a complex network of his own personal enemies (artists, writers, collectors) as other targets of his article. This article tries to establish how Montesquiou reinvested his own ambitions in a declaration of war. The aim is to show how Sargent becomes a strategic issue for Montesquiou’s agenda as an art critic, writer and pre-eminent figure of ‘le Tout-Paris’
Aestheticism · Art · Art history · Declaration · Humanities · Painting · Performance art · Political science · Diverse Cultural and Historical Studies · Historical Studies and Socio-cultural Analysis · Law
| Highly cited | No |
|---|