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How Do Children Experience the Embodied Communication and Leadership of Teachers? Expressing the Voices of Children Through Artistic, Sensual, and Multimodal Methods in Educational Research

Bibliographic Data

ID21205820
AuthorsMathias Sune Berg (0000-0002-9117-0229, University College Copenhagen, corresponding author), Helle Winther (0000-0003-1074-5885, University of Copenhagen)
Year2021
Volume14
Issue3
Pages444-462
Publication date2021-11-01
Open AccessYes
TypeARTICLE
VenueInternational Review of Qualitative Research (JOURNAL)
Journal identifiersISSN: 1940-8447 • E-ISSN: 1940-8455
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/1940844720948063
OpenAlexW3103145362
LanguageEN
Citations received1
References cited10

This article focuses on children’s lived experiences with teachers in school, and shows how a multimodal methodological perspective can strengthen the voices of children in educational research. The authors illustrate how a strong children’s perspective can be established with a methodical starting point inspired by phenomenology, critical utopian action research, and arts-based research. The inquiry is especially focused on how the embodied communication of the teacher’s professional practice is experienced by children and transformed from an often silent bodily knowledge to esthetic, artistic, and verbal formats. In order to understand the children’s lived experiences of life in school, they were invited into an open and playful future workshop. The workshop creates a dialogical space where the verbal, sensuous, emotional, and bodily expressions of both criticism and dreams can be articulated. It’s a space that can be seen as potentially activist material, because it allows for the dominance of the already existing structures to possibly be exceeded. Therefore, the article also includes children’s concrete artistic interpretations of the embodied leadership of their teachers. The empirical material shows how the artistic, visual, and aesthetic practices can transform the child’s lived experiences and contribute to creating an open space, where images, imagery, and metaphorical explorations are possible. The children’s voices show how they experience being seen, being invisible, or being touched by their teachers. They also show how they experience being afraid and exposed in the classroom. It is perhaps just here that the forms of expression in art offer a dialogic, collaborative foundation, where embodied experiences can be transformed into forms of knowledge that are more accessible to reflection and exploration. This could be a first step toward change

Aesthetics · Art · Attunement · Dialogical self · Embodied cognition · Epistemology · Pedagogy · Sociology · Visual arts · Art Education and Development · Early Childhood Education and Development · Psychology · Social Psychology · Teacher Education and Leadership Studies

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Citations per year0.2
Citation span2021 - 2021 (1)
Highly citedNo

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