Routines of re-encounter
Sound Practice in the Art of the Social
Datos Bibliográficos
| ID | 21205912 |
|---|---|
| Autores | Ruth Nicole Brown (Michigan State University), Emery Petchauer (0009-0003-7398-6683, Columbia University, autor de correspondencia) |
| Año | 2026 |
| Volumen | 19 |
| Número | 1 |
| Páginas | 20-35 |
| Fecha de publicación | 2026-05-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | International Review of Qualitative Research (JOURNAL) |
| Identificadores de la revista | ISSN: 1940-8447 • E-ISSN: 1940-8455 |
| Editorial | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/19408447251319423 |
| OpenAlex | W4407266199 |
| Idioma | EN |
| Referencias citadas | 18 |
In this article we explore how two artistic practices related to sound and sound making worked as a routine of re-encounter across a yearlong qualitative research project exploring how Black and Indigenous creative collective evolve to sustain themselves over time. We situate our artistic practices—writing ritual performance scripts and composing audio tune-ins—in the art of the social: the presence and relations among ourselves, research collaborators, and those we bring with us in body and spirit. We share the processes of this artful inquiry and how they inspire imaginative possibilities with sound, sound design, performance, and ritual
Acoustics · Aesthetics · Art · Physics · Visual arts · Communication · Music History and Culture · Posthumanist Ethics and Activism · Psychology · Social and Cultural Dynamics
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |