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An evaluation of the usability of Ahıska Lullabies as music educational material

Bibliographic Data

ID21221330
AuthorsGülnihal Gül (0000-0001-9437-2419, Bursa Uludağ Üni̇versi̇tesi̇), Murat Mevlütoğlu (0009-0005-5083-4921, Bursa Uludağ Üni̇versi̇tesi̇), Tugay Bütün (0000-0002-6970-1003, Bursa Uludağ Üni̇versi̇tesi̇)
Year2025
Volume13
Issue3
Pages307-327
Publication date2025-09-30
Open AccessYes
TypeARTICLE
Venuerast müzikoloji dergisi (JOURNAL)
Journal identifiersISSN: 2147-7361 • E-ISSN: 2147-7531
PublisherRast Musicology Journal (PUBLISHER)
DOI10.12975/rastmd.20251334
OpenAlexW4414624415
LanguageEN
References cited12

Lullabies, with their lyrics, musical structures, and functions, are musical elements shaped directly by the psychology, customs, traditions, and tastes of their respective societies. They contribute significantly to fulfilling the emotional needs of both parents and children. This research aims to identify lullabies within the culture of Ahıska Turks, examine their melodic and lyrical structures, and evaluate their potential use as materials for music education. It is essential in Turkish music research to explore significant cultural elements such as Ahıska folk songs, particularly lullabies, which reflect a comprehensive range of cultural characteristics, and transform them into educational materials. An exploratory sequential mixed-method design was employed in this study. In the first stage, qualitative data were collected from 13 Ahıska women residing in Turkiye, Russia, Kyrgyzstan, and the USA. The lullabies gathered were analyzed through descriptive analysis. In the second stage, two field experts evaluated the lullabies’ usability as music educational material using the Scale of Opinions on the Educational Usability of Lullabies. The findings revealed that the 14 lullabies collected from the Ahıska region exhibited rhythmic patterns in 4-time, 9-time, 11-time, 12-time, and free rhythm; melodic ranges spanning intervals of 4, 5, 6, and 8 notes; and syllabic structures with free verse, heptasyllabic (7), octosyllabic (8), and decasyllabic (10) meters. Additionally, these lullabies were identified as belonging to maqams such as Hicaz, Uşşak, Hüseyni, Segah, Rast, and Çargah, encompassing themes including wishes and aspirations, affection and tenderness, religious motifs, poverty and lamentation, complaints about customs and traditions, longing for children, praise, and love. Specifically, 28.5% included themes of wishes-aspirations/affection-tenderness, 14.2% contained complaints about customs-longing for children, another 14.2% expressed wishes-aspirations alone, 7.1% covered wishes-aspirations/praise-affection, 7.1% religious elements, 7.1% affection- tenderness, 7.1% praise-affection, 7.1% wishes-aspirations/affection-tenderness/religious elements, and 7.1% poverty/lamentation. Expert evaluations confirmed that these lullabies possess high efficacy for use as music educational materials

Affection · Exploratory research · Feeling · Melody · Music education · Qualitative research · Turkish · Usability · Diverse Music Education Insights · Education Practices and Challenges · Music Education and Analysis

  • The power of music

    Open Access•Susan Hallam•International Journal of Music…•2010

  • Lullabies of Central Asia on the example of the Kyrgyz people creativity

    Open Access•Cholpon I Saadanbekova•Общество философия история культура•2022

  • Ahiska Türklüğüne Destan Penceresi̇nden Bakmak

    Open Access•MUSTAFA DİNÇ•Avrasya Uluslararası Araştırmalar…•2021

  • Music Education and Cultural Identity

    Richard A Davis, Robert A Davis•Educational Philosophy and Theory•2005

Highly citedNo
Open DOIOpen Access
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