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Of home and exile

Framing nation and its fragments in translation

Bibliographic Data

ID21243076
AuthorsHemang Ashwinkumar (0009-0000-4382-1106, Central University of Gujarat, corresponding author)
Year2025
Volume12
Issue1
Pages1-23
Publication date2025-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAsia Pacific Translation and Intercultural Studies (JOURNAL)
Journal identifiersISSN: 2330-6351 • E-ISSN: 2330-6343
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/23306343.2025.2465931
OpenAlexW4407668308
LanguageEN
References cited27

The paper examines the politics of translating Arun Kolatkar’s Kala Ghoda Poems (2004) into Gujarati and its implications for postcolonial agentive action. It explores the multiple ways in which the subversive potential of postcolonial translation can be deployed more productively by translating in local languages than by translating back to the Empire. The subversion relates to the inversion of relationships between languages caught in translation, exploration of the theme of migration without colonialism as a point of reference, and critical engagement with the idea of nation-building. The urban metropolis of Mumbai becomes an alibi for the translator to raise questions about the migration, marginalization, and ruthless mauling of the fragments of the nation in his hometown Ahmedabad. Strategies of translation like foregrounding of multilinguality, multiple versions of the same poem, and so on rendered a modernist poet like Arun Kolatkar almost unrecognizable in Gujarati, but they served a major postcolonial function i.e. to challenge absolutism and essentialism permeating socio-literary and political cultures

Archaeology · Linguistics · Political science · Sociology · Comparative and World Literature · History · Philosophy · Postcolonial and Cultural Literary Studies · Translation Studies and Practices

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Citation velocityhistorical
Highly citedNo

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