Isang Yun in Korea und seine Neupositionierung in Deutschland
Handlungsspielräume und kulturelle Asymmetrie. The Margin to Maneuver and Cultural Asymmetry
Bibliographic Data
| ID | 21291784 |
|---|---|
| Authors | Jinah Kim (0000-0002-9528-3773, Hongik University, corresponding author), Jin-Ah Kim (Hongik University in Seoul) |
| Year | 2021 |
| Volume | 78 |
| Issue | 4 |
| Pages | 254 |
| Publication date | 2021-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Archiv für Musikwissenschaft (JOURNAL) |
| Journal identifiers | ISSN: 0003-9292 • E-ISSN: 2366-2794 |
| Publisher | Wissenschaftliche Verlagsgesellschaft mbH (PUBLISHER • DE) |
| DOI | 10.25162/afmw-2021-0014 |
| OpenAlex | W4210306089 |
| Language | DE |
This article examines social and cultural aspects of Isang Yun’s musical activity during his time in Korea and Germany up to the 1960s, specifically, his actions as a protagonist in the dynamic framework of music creation and the assessment of his standpoints with respect to each locality. In Korea, Yun was part of a group of composers who opposed the suppression of their national, i. e. traditional music and who sought to create a specific Korean music. Upon his arrival in Germany, however, he repositioned himself with respect to the social expectations that confronted him and created a unique musical style grounded in East Asian philosophical traditions and musical elements informed by the idea of “foreign music.”
Aesthetics · Art · Literature · Musical · Sociology · Style (visual arts) · Arts, Culture, and Music Studies · Asian Culture and Media Studies · History · Hong Kong and Taiwan Politics
| Highly cited | No |
|---|