Pflicht, Menschheit und Teleologie bei Beethoven
Annäherung an sein Selbst-Verhältnis. How He Understood Himself
Bibliographic Data
| ID | 21291814 |
|---|---|
| Authors | Jinah Kim (0000-0002-9528-3773, Hongik University, corresponding author), Jin-Ah Kim (Professorin für German and European Cultural Studies an der Hongik University in Seoul und Honorarprofessorin an der Humboldt-Universität zu Berlin) |
| Year | 2023 |
| Volume | 80 |
| Issue | 3 |
| Pages | 221-238 |
| Publication date | 2023-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Archiv für Musikwissenschaft (JOURNAL) |
| Journal identifiers | ISSN: 0003-9292 • E-ISSN: 2366-2794 |
| Publisher | Wissenschaftliche Verlagsgesellschaft mbH (PUBLISHER • DE) |
| DOI | 10.25162/afmw-2023-0012 |
| OpenAlex | W4387402251 |
| Language | DE |
This article deals with the concepts of duty, humanity, and teleology with respect to Beethoven, based on his letters, and aims toward an understanding of how he defined himself-his self-image-while being aware of its dependency upon conditions and consequences informed by contemporary influences. Beethoven considered himself as an autonomous subject, although he did not perceive himself as an intrinsic entity solely committed to himself. He felt the necessity for something objective that he could as a matter of principle take for granted and to which he felt obligated. His subjectivity was autonomous yet not self-referential, therefore exhibiting a distinct proximity to the anthropology of the Enlightenment of the late eighteenth and early nineteenth centuries
Art · Art, Aesthetics, and Perception · Musicology and Musical Analysis · Philosophy · Visual Culture and Art Theory
| Highly cited | No |
|---|