Ian McEwan Celebrates Shakespeare
Hamlet in a Nutshell
Bibliographic Data
| ID | 21309607 |
|---|---|
| Authors | Elena Bandín Fuertes (0000-0002-9997-1469, Universidad de León), Elena Bandín (University of León, Spain [email protected]), Elisa González (University of Salamanca, Spain [email protected]) |
| Year | 2021 |
| Volume | 33 |
| Issue | 2 |
| Pages | 17-30 |
| Publication date | 2021-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critical Survey (JOURNAL) |
| Journal identifiers | ISSN: 0011-1570 • E-ISSN: 1752-2293 |
| Publisher | Berghahn Books (PUBLISHER • GB) |
| DOI | 10.3167/cs.2021.330203 |
| OpenAlex | W3162151821 |
| Language | EN |
| Citations received | 2 |
The aim of this article is to analyse Ian McEwan’s Nutshell , published in September 2016, as a modern rewriting of Hamlet in relation to the usual issues and themes previously tackled by the author throughout his narrative. The novel focuses on the love triangle involving Claude [Claudius], Trudy [Gertrude] and John Cairncross [King Hamlet] and narrates how the lovers plot the murder of the husband from the unusual perspective of a proto-Hamlet in the womb. Despite the fact that he is rewriting a Shakespearean work, the author remains faithful to his style and favourite topics, displaying the function of the family as destructive rather than constructive, conditioning the later development of the children and rendering them devoid of the affection needed. Similarly, Nutshell also depicts his recurrent configuration of mothers as authoritative and destructive, especially for the natural growth of their offspring
Affection · Art · Constructive · Epistemology · HAMLET (protein complex) · Literature · Narrative · Relation (database) · Computer Science · Grief, Bereavement, and Mental Health · History · Philosophy
| Citations per year | 0.5 |
|---|---|
| Citation span | 2022 - 2023 (2) |
| Highly cited | No |