Artaud et l’expérience des langues
Les glossolalies comme performance thérapeutique
Bibliographic Data
| ID | 21363952 |
|---|---|
| Authors | Maxime Philippe (0000-0003-3540-7989, corresponding author) |
| Year | 2024 |
| Volume | 63 |
| Issue | 1 |
| Pages | 111-126 |
| Publication date | 2024-03-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Nottingham French Studies (JOURNAL) |
| Journal identifiers | ISSN: 0029-4586 • E-ISSN: 2047-7236 |
| Publisher | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/nfs.2024.0403 |
| OpenAlex | W4394825802 |
| Language | FR |
After taking part in an art therapy experiment in 1943, Antonin Artaud started to include in his writings passages of an invented language that he connected to the tradition of glossolalia. I argue that the polyglottic dimension of this glossolalic practice is essential. After expounding the relationship of glossolalia to linguistic diversity, I will demonstrate how Artaud’s glossolalia conveys the poet’s linguistic experience. More specifically, I will emphasize the importance of the Raramuri rituals, which Artaud witnessed in Mexico in 1936, for the definition of his glossolalic practice. The Raramuri vision of an embodied and performed therapy inspired the poet to reclaim his agency in the process of art therapy. Artaud’s glossolalia corresponds to an art performance thought as such a therapy. This practice attempts to rebuild Babel, to simultaneously refound language and body
Embodied cognition · Epistemology · Humanities · French Language Learning Methods · Historical Linguistics and Language Studies · Linguistics and Discourse Analysis · Philosophy · Psychology
| Highly cited | No |
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