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Approaches to Meditation in the 20th Century Musical Creativity

Theoretical Aspects and Scientific Interpretations

Bibliographic Data

ID21390041
AuthorsLiubov Serhaniuk (0000-0001-8640-2294), Liubov I Serhaniuk (Vasyl Stefanyk Carpathian National University), Hanna Karpenko (0000-0003-1034-4424, Vasyl Stefanyk Carpathian National University), Yu Ke (0000-0002-9843-5488, Vasyl Stefanyk Carpathian National University)
Year2025
Volume73
Issue12 Zeszyt specjalny
Pages293-304
Publication date2025-12-30
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRoczniki Humanistyczne (JOURNAL)
Journal identifiersISSN: 0035-7707 • E-ISSN: 2544-5200
PublisherTowarzystwo Naukowe KUL (PUBLISHER • PL)
DOI10.18290/rh257312.19s
OpenAlexW7117775157
LanguageEN
References cited4

The present study examines the notion of “meditation” in musical creativity – both as a component of a specific genre tendency and as a set of stylistic means employed by composers to achieve this genre status. More broadly, the analysis of meditation in contemporary musical creativity is a highly relevant and promising task, especially in view of the intensification of intercultural interactions over the past half-century and the need to understand how meditation functions as one of the principles of modern musical creativity

Component (thermodynamics) · Creativity · Meditation · Musical · Musical form · Set (abstract data type) · Diverse Music Education Insights · Musicology and Musical Analysis · Neuroscience and Music Perception

Citation velocityhistorical
Highly citedNo

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