J. Octaviano e Oscar Guanabarino
“A Verdade É Uma Aposta De Lutas”
Bibliographic Data
| ID | 21432007 |
|---|---|
| Authors | Humberto Amorim (0000-0003-2622-8698, Universidade Federal do Rio de Janeiro, corresponding author) |
| Year | 2020 |
| Volume | 20 |
| Issue | 2 |
| Pages | 119-172 |
| Publication date | 2020-12-20 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista Música (JOURNAL) |
| Journal identifiers | ISSN: 0103-5525 • E-ISSN: 2238-7625 |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/rm.v20i2.174582 |
| OpenAlex | W3116595728 |
| Language | PT |
| Citations received | 1 |
The article intends to cross some vestiges of the disputes that occurred around classical music in Brazil during the first decades of the 20th century, taking as a subject of study the relationship between the composer, pianist and professor João Octaviano Gonçalves (1892-1962) and the critic Oscar Guanabarino (1841-1937). One of the decisive points was to try to unveil some of the buried layers that were part of the field of competition in which both operated, connecting their individual projections to the interests of their groups. With a theoretical background anchored in historians (CHARTIER, 2002; BOURDIEU, 1996; CERTEAU, 1982) and in dialogue with the most recent Brazilian literature dedicated to the subject (GOLDBERG; OLIVEIRA, 2019; PASSAMAE, 2017), fifty sources were raised in newspapers to sustain the discussions. The results suggest that, alongside personal trajectories and beliefs, there are broader symbolic struggles in music that become decisive for taking positions
Art · Humanities · Brazilian cultural history and politics · Music History and Culture · Musicology and Musical Analysis · Philosophy
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,25 |
| Citation span | 2022 - 2022 (1) |
| Citation velocity | historical |
| Highly cited | No |