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Hip to be Irish

Ethnicity and Bourdieu's 'Forms of Capital

Bibliographic Data

ID2147221
AuthorsThomas Sullivan (0000-0002-6930-5406, University of Montana, corresponding author)
Year2016
Volume39
Issue10
Pages1773-1790
Publication date2016-08-08
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueEthnic and Racial Studies (JOURNAL)
Journal identifiersISSN: 0141-9870 • E-ISSN: 1466-4356
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/01419870.2016.1142103
OpenAlexW2293246079
LanguageEN
Citations received2
References cited38

A 'new Irish' American ethnicity surfaced in the 1980s - according to a number of scholars and journalists - and is comprised of what some consider to be more 'authentic' and 'traditional' Irish cultural attributes. Defining authentic and traditional Irishness is complicated, however, by the recent influx and highly visible forms of economic capital and media attention stemming from the Celtic Tiger - the surge of economic prosperity that began in Ireland in the 1990s - and the commercializing of Irish music and dance - such as Riverdance. In this paper, I propose, through my study involving Irish language enthusiasts, that this 'new' form of Irish ethnicity is more the result of rather than the reason for this surge in popularity. I use Pierre Bourdieu's 'Forms of Capital' in questioning the 'new Irish' American ethnicity, arguing instead that a deeply seated, less-visible reservoir of cultural and social capital form the basis for this perceived contemporary ethnicity

Archaeology · Capital (architecture · Celtic Tiger · Cultural capital · Ethnic group · Irish · Linguistics · Political science · Popularity · Prosperity · Social science · Sociology · Anthropology · Gender Studies · History · Irish and British Studies · Law · Music History and Culture · Social and Cultural Dynamics

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Unique citing works2
Citations per year0,22
Citation span2017 - 2021 (5)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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