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Response to Invited Commentaries on “Consonance Preferences Within an Unconventional Tuning System”

Bibliographic Data

ID21557208
AuthorsRonald S Friedman (University at Albany, State University of New York), Ronald Friedman (0000-0002-5901-8956, Albany State University), Douglas A Kowalewski (0000-0002-3865-120X, University at Albany, State University of New York), Dominique T Vuvan (0000-0002-6435-8752, Skidmore College), Wilfred T Neill (Albany State University), W Trammell Neill (University at Albany, State University of New York)
Year2021
Volume38
Issue3
Pages340-341
Publication date2021-02-01
Open AccessNo
TypeARTICLE
VenueMusic Perception An Interdisciplinary Journal (JOURNAL)
Journal identifiersISSN: 0730-7829 • E-ISSN: 1533-8312
PublisherUniversity of California Press (PUBLISHER • US)
DOI10.1525/mp.2021.38.3.340
OpenAlexW3134808958
LanguageEN
Citations received1
References cited7

Research Article| February 01 2021 Response to Invited Commentaries on "Consonance Preferences Within an Unconventional Tuning System" Ronald S. Friedman, Ronald S. Friedman University at Albany, State University of New York Search for other works by this author on: This Site PubMed Google Scholar Douglas A. Kowalewski, Douglas A. Kowalewski University at Albany, State University of New York Search for other works by this author on: This Site PubMed Google Scholar Dominique T. Vuvan, Dominique T. Vuvan Skidmore College Search for other works by this author on: This Site PubMed Google Scholar W. Trammell Neill W. Trammell Neill University at Albany, State University of New York Search for other works by this author on: This Site PubMed Google Scholar Music Perception (2021) 38 (3): 340–341. https://doi.org/10.1525/mp.2021.38.3.340 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Ronald S. Friedman, Douglas A. Kowalewski, Dominique T. Vuvan, W. Trammell Neill; Response to Invited Commentaries on "Consonance Preferences Within an Unconventional Tuning System". Music Perception 1 February 2021; 38 (3): 340–341. doi: https://doi.org/10.1525/mp.2021.38.3.340 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu nav search search input Search input auto suggest search filter All ContentMusic Perception Search The origins of tonal consonance—the tendency to perceive some simultaneously sounded combinations of musical tones as more pleasant than others—is arguably among the most fundamental questions in music perception. For more than a century, the issue has been the subject of vigorous debate, undoubtedly fueled by the formidable complexities involved in investigating music-induced affective qualia that are not directly observable and often ineffable. The challenge of drawing definitive conclusions in this area of inquiry is well exemplified by the markedly divergent, yet equally thoughtful, responses offered in these commentaries. According to Bowling, our findings are an important source of converging evidence for his Vocal Similarity Hypothesis (VSH), the notion that consonance derives from an evolved preference for harmonic vocal sounds (Bowling, Purves, & Gill, 2018). However, he suggests that our interpretation of the results may cast a less favorable light on the VSH than is warranted. For example,... You do not currently have access to this content

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  • Interactive effects of presentation mode and pitch register on simultaneous consonance

    Open Access•Ronald Friedman, Douglas A Kowalewski•Musicae Scientiae•2024

Citations per year0.5
Citation span2024 - 2024 (1)
Highly citedNo

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