From the Opening Sequence of Citizen Kane to the Final Shot of The Birds
A Filmic Microanalysis of Three Painted Scenes
Bibliographic Data
| ID | 21561538 |
|---|---|
| Authors | Dario Lanza (0000-0003-0475-2114, corresponding author), Darío Lanza Vidal |
| Year | 2021 |
| Volume | 73 |
| Issue | 1 |
| Pages | 33-47 |
| Publication date | 2021-04-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Film and Video (JOURNAL) |
| Journal identifiers | ISSN: 0742-4671 • E-ISSN: 1934-6018 |
| Publisher | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.5406/jfilmvideo.73.1.0033 |
| OpenAlex | W3129122648 |
| Language | EN |
| References cited | 2 |
This article aims to highlight the importance of matte painting in cinematographic construction and to emphasize the analytical value of these pieces of artwork. To this end, three painted scenes were chosen and subjected to a multifaceted analysis that underlines their contribution as pictorial creations, their role in landscape painting tradition, and their function as an element of filmmaking construction, within a set film model, while providing evidence for the unique ways in which this technique connects film and painting
Art · Art history · Biology · Visual arts · Chemistry · Cinema and Media Studies
| Highly cited | No |
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