Dario Lanza
Biographic Data
| ID | 5896770 |
|---|---|
| NAME | Dario Lanza |
| GIVEN NAMES | Dario |
| FAMILY NAME | Lanza |
| SIGNATURE | LANZA D |
| AFFILIATIONS | Universidad Complutense de Madrid |
| ORCID | 0000-0003-0475-2114 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Hand painted movie stills
Scenes as vivid in our cinematographic memory as Tara’s views in Gone with the Wind (Victor Fleming, 1939), the oppressive sewers in the final sequence of The Third Man (Carol Reed, 1949), the vistas of Rome in Ben-Hur (William Wyler, 1959) or the famous final shot on the beach in Planet of the Apes (Franklin J. Schaffner, 1968), all place the viewer, without their awareness, in front of an image produced using the mechanism known as matte painti…
Designing a Long-Structure NFT Generative Art Project
For decades considered a fringe artistic discipline, generative art has in recent years piqued an unusual amount of interest due to its integration with blockchain technology, which has given rise to new ways of designing, generating, acquiring, and collecting generative artworks. This article presents, by way of a chronicle, the author’s process in designing and creating a long-form generative project entitled Catharsis, from its conceptual gene…
Modelos de interacción entre ciencia y arte
Que la ciencia y el arte mantienen continuas y complejas interrelaciones y realimentaciones mutuas es incuestionable. Como expresiones de la actividad intelectual humana, han recorrido caminos en ocasiones independientes, paralelos en otras e interdependientes en la mayoría. A un debate tan extensamente documentado como este, lo que el presente estudio pretende aportar es una visión personal que ayude a organizar las tipologías de estas relacione…
A Study of Mordor and Coruscant as Paradigms of Neo-Baroque Digital Landscapes
the contemporary proliferation of fantasy and action releases containing high technology usage has led to an explosion in the number of fantasy worlds to which viewers can be transported. These are environments digitally constructed employing matte painting, a technique of audiovisual creation that has typically received the least research attention from studies specific to animation and more general analyses of filmmaking. Despite this, the tech…
Efectos especiales made in Spain. Un análisis sobre el trucaje cinematográfico en Emilio Ruiz del Río
Emilio Ruiz del Río fue el artista español de efectos de mayor reconocimiento internacional. Conocido como el «wizard» por su amplio repertorio de recursos, ha destacado principalmente por la calidad de sus pinturas sobre cristal y chapa, sus maquetas y sus escenarios de perspectiva forzada. Dejando al margen las descripciones de carácter práctico o instrumental, el presente trabajo busca profundizar en su obra a través de una investigación sobre…
From the Opening Sequence of Citizen Kane to the Final Shot of The Birds
This article aims to highlight the importance of matte painting in cinematographic construction and to emphasize the analytical value of these pieces of artwork. To this end, three painted scenes were chosen and subjected to a multifaceted analysis that underlines their contribution as pictorial creations, their role in landscape painting tradition, and their function as an element of filmmaking construction, within a set film model, while provid…
Sobre la significación en la representación paisajística del "matte painting" cinematográfico. Propuesta para una clasificación
El matte painting, técnica de elaboración de escenarios cinematográficos por medios pictóricos, acoge una de las relaciones más activas y sofisticadas de cuantas se establecen entre cine y pintura. Sin embargo, paradójicamente, un fenómeno tan singular y complejo como este, a medio camino entre lo genuinamente pictórico y lo netamente cinematográfico, no ha recibido hasta el momento un tratamiento suficiente por parte de investigaciones de caráct…
Relación simbiótica entre pintura y cine en el matte painting
In this paper we want to focus on a particular resource of the cinematographic construction, matte painting, a special effect that very few times has received sufficient attention by theoretical investigations but which nevertheless appears as a particularly suggestive subject in which the synergy between the pictorial and the film is used for the elaboration of a hybrid image resulting from the symbiotic collaboration between both media. Through…
No prominent works on this page.
Relación simbiótica entre pintura y cine en el matte painting
In this paper we want to focus on a particular resource of the cinematographic construction, matte painting, a special effect that very few times has received sufficient attention by theoretical investigations but which nevertheless appears as a particularly suggestive subject in which the synergy between the pictorial and the film is used for the elaboration of a hybrid image resulting from the symbiotic collaboration between both media. Through…
Sobre la significación en la representación paisajística del "matte painting" cinematográfico. Propuesta para una clasificación
El matte painting, técnica de elaboración de escenarios cinematográficos por medios pictóricos, acoge una de las relaciones más activas y sofisticadas de cuantas se establecen entre cine y pintura. Sin embargo, paradójicamente, un fenómeno tan singular y complejo como este, a medio camino entre lo genuinamente pictórico y lo netamente cinematográfico, no ha recibido hasta el momento un tratamiento suficiente por parte de investigaciones de caráct…
Efectos especiales made in Spain. Un análisis sobre el trucaje cinematográfico en Emilio Ruiz del Río
Emilio Ruiz del Río fue el artista español de efectos de mayor reconocimiento internacional. Conocido como el «wizard» por su amplio repertorio de recursos, ha destacado principalmente por la calidad de sus pinturas sobre cristal y chapa, sus maquetas y sus escenarios de perspectiva forzada. Dejando al margen las descripciones de carácter práctico o instrumental, el presente trabajo busca profundizar en su obra a través de una investigación sobre…
From the Opening Sequence of Citizen Kane to the Final Shot of The Birds
This article aims to highlight the importance of matte painting in cinematographic construction and to emphasize the analytical value of these pieces of artwork. To this end, three painted scenes were chosen and subjected to a multifaceted analysis that underlines their contribution as pictorial creations, their role in landscape painting tradition, and their function as an element of filmmaking construction, within a set film model, while provid…
Modelos de interacción entre ciencia y arte
Que la ciencia y el arte mantienen continuas y complejas interrelaciones y realimentaciones mutuas es incuestionable. Como expresiones de la actividad intelectual humana, han recorrido caminos en ocasiones independientes, paralelos en otras e interdependientes en la mayoría. A un debate tan extensamente documentado como este, lo que el presente estudio pretende aportar es una visión personal que ayude a organizar las tipologías de estas relacione…
A Study of Mordor and Coruscant as Paradigms of Neo-Baroque Digital Landscapes
the contemporary proliferation of fantasy and action releases containing high technology usage has led to an explosion in the number of fantasy worlds to which viewers can be transported. These are environments digitally constructed employing matte painting, a technique of audiovisual creation that has typically received the least research attention from studies specific to animation and more general analyses of filmmaking. Despite this, the tech…
Hand painted movie stills
Scenes as vivid in our cinematographic memory as Tara’s views in Gone with the Wind (Victor Fleming, 1939), the oppressive sewers in the final sequence of The Third Man (Carol Reed, 1949), the vistas of Rome in Ben-Hur (William Wyler, 1959) or the famous final shot on the beach in Planet of the Apes (Franklin J. Schaffner, 1968), all place the viewer, without their awareness, in front of an image produced using the mechanism known as matte painti…
Designing a Long-Structure NFT Generative Art Project
For decades considered a fringe artistic discipline, generative art has in recent years piqued an unusual amount of interest due to its integration with blockchain technology, which has given rise to new ways of designing, generating, acquiring, and collecting generative artworks. This article presents, by way of a chronicle, the author’s process in designing and creating a long-form generative project entitled Catharsis, from its conceptual gene…
Art (7 works) · Visual arts (5 works) · Philosophy (4 works) · Aesthetics (3 works) · Art history (3 works) · Computer Science (3 works) · Historical Art and Architecture Studies (3 works) · Humanities (3 works) · Photographic and Visual Arts (3 works) · Architecture and Art History Studies (2 works)