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“All Those Little Spools and Lights”

The Moving Image at Angola Prison

Bibliographic Data

ID21581050
AuthorsM A Mitchell (corresponding author), Mitchell Mitchell
Year2020
Volume32
Issue2
Pages28
Publication date2020-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueFilm History (JOURNAL)
Journal identifiersISSN: 0892-2160 • E-ISSN: 1553-3905
PublisherIndiana University Press (PUBLISHER • US)
DOI10.2979/filmhistory.32.2.02
OpenAlexW3096358876
LanguageEN
Citations received1

This article provides a cultural history of film and television at Louisiana's Angola Prison in the 1950s to show that moving images coexisted with the brutalities for which the prison is known, including stark labor conditions, corporal violence, and punitive racism. Despite their promotion as improvements during an era of reform, the technologies of film and television accommodated the prison's repressive hierarchies of race, gender, and labor. By analyzing the penitentiary's newspaper, the Angolite, alongside its peer publications at other prisons, I show that prison newspapers played a significant role in promoting film exhibition in carceral spaces

Advertising · Art · Business · Criminology · Exhibition · Media studies · Newspaper · Political science · Prison · Punitive damages · Racism · Sociology · Visual arts · African history and culture studies · Cinema and Media Studies · Gender Studies · Law

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    Joshua A Mitchell•Early Popular Visual Culture•2022

Unique citing works1
Citations per year0.25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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