The labour of identity

Performing Identities, Performing Economies

Bibliographic Data

ID2160649
AuthorsL Adkins (0000-0001-7003-0406, Australian National University), Celia Lury (0000-0001-7630-5597, Goldsmiths University of London)
Year1999
Volume28
Issue4
Pages598-614
Publication date1999-11-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueEconomy and Society (JOURNAL)
Journal identifiersISSN: 0308-5147 • E-ISSN: 1469-5766
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/03085149900000020
OpenAlexW2047497863
LanguageEN
Citations received86
References cited21

Recent analyses of workplace organization have stressed that the self-identify of workers constitutes a key resource in new regimes of accumulation. Morever, this significance of self-identify has been understood to form part of an aestheticization of work since the techniques involved in the performance of identity are widely conceived as aesthetic or cultural practices. However, in this article we suggest that in these assumptions the questions of a person's relation to self-identity and of how the labour or work of identity may contribute to the political organization of production remain hidden. Through looking not just at the kinds of self-identity available to and performed by workers but also at the terms and conditions of their performance. We show that a person's self-identity is a key site of conditions of their performance, we show that per' self-identity is a key site of contestation in the struggle that maps out production. In particular, and through a focus on issues of gender and the body, we illustrate the ways in which workers may be denied authorship of their identities and the ability to claim their identity performances as occupational resources. Our analysis indicates that self-possessing workers with performable identities should not be universalized by theorists of the economic and, moreover, that considerations of the aestheticization of work need to be sensitive to what we term socio-cultural regimes of accumulation in which the implications of particular processes of aestheticization for the relation between self and identity and of both to production are explored rather than assumed

Cultural Industries and Urban Development · Gender Diversity and Inequality · Migration, Ethnicity, and Economy

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