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Visualizing music structure through animation

The making of the filmhead voice, chest voice1

Bibliographic Data

ID2162912
AuthorsHugo Zemp (Musée de l'Homme, corresponding author)
Year1990
Volume3
Issue1
Pages65-79
Publication date1990-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueVisual Anthropology (JOURNAL)
Journal identifiersISSN: 0894-9468 • E-ISSN: 1545-5920
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/08949468.1990.9966523
OpenAlexW2018656860
LanguageEN
Citations received6
References cited4

While many ethnographic filmmakers, as well as ethnomusicologists interested in audio‐visual means, are concerned about refining methods for the decoding and interpretation of visual texts, this article proposes a different perspective: that of visually reproducing in a film on musical features the results of research obtained with other visual means. An unexpected outcome was the discovery, thanks to the filmmaking process, of an important musical feature which has not been noticed and analyzed so far

Animation · Art · Computer graphics (images · Multimedia · Visual arts · Computer Science · Diverse Musicological Studies · Music History and Culture · Musicology and Musical Analysis

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  • Ethical issues in ethnomusicological filmmaking

    Hugo Zemp•Visual Anthropology•1990

  • Three Films by Hugo Zemp

    Steven Feld•Visual Anthropology•2014

  • Principles of Visual Anthropology

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  • Music of the Whole Earth

    Fredric Lieberman, David B Reck et al.•Ethnomusicology•1980

  • Mbira

    Ruth M Stone, Gei Zantzinger et al.•Ethnomusicology•1981

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Unique citing works6
Citations per year0,17
Citation span1990 - 2022 (33)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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