Accompaniment in Jazz and Psychoanalysis
Bibliographic Data
| ID | 21630238 |
|---|---|
| Authors | Henry C Markman (0000-0002-7789-8555, Berkeley College, corresponding author), Henry Markman (Berkeley, CA) |
| Year | 2020 |
| Volume | 30 |
| Issue | 4 |
| Pages | 432-447 |
| Publication date | 2020-07-03 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Psychoanalytic Dialogues (JOURNAL) |
| Journal identifiers | ISSN: 1048-1885 • E-ISSN: 1940-9222 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/10481885.2020.1774340 |
| OpenAlex | W3086834479 |
| Language | EN |
| References cited | 6 |
The author explores a fundamental role of the analyst as improvisational accompanist. This role requires a dedicated attention to the shared rhythmic dimension of the interaction, a mode of psychoanalytic attention of embodied self-awareness and sensitivity–that is, embodied attunement to the pulse of the interaction. Directed action follows by providing various forms of accompaniment that depend on the nature of the patient’s needs and emotional state. By refining our accompaniment to meet clinical situations and challenges, we enlarge the range of analytic engagement. Using examples from jazz, the way the rhythm section finds the right form of accompaniment to support the soloist’s creativity and unique voice, the analyst similarly accompanies his or her patient, providing a temporal framework, a pulse that affirms emotionally shared states, recognition, differentiation, and creative expression. Various forms of analytic accompaniment include steady and present beat, an unobtrusive and loose presence, an interactive and conversational presence, or disruptive rhythms. From experiences of solid support and recognition, accompaniment can fuel the patient’s improvisations, allowing him to move away from the analyst and create a clearer differentiated voice. As the patient separates, he ventures out into new or difficult territory, the analyst’s presence is there following
Acoustics · Aesthetics · Art · Attunement · Cognitive psychology · Cognitive science · Creativity · Embodied cognition · Improvisation · Jazz · Linguistics · Psychoanalysis · Rhythm · Visual arts · Communication · Computer Science · Mental Health and Psychiatry · Musicology and Musical Analysis · Psychology · Psychotherapy Techniques and Applications · Social Psychology
| Highly cited | No |
|---|