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Camera Monologue

Cultural Critique beyond Collaboration, Participation and Dialogue

Bibliographic Data

ID2163473
AuthorsChristian Suhr (0000-0002-3025-6694, Aarhus University, corresponding author)
Year2018
Volume31
Issue4-5
Pages376-393
Publication date2018-10-20
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueVisual Anthropology (JOURNAL)
Journal identifiersISSN: 0894-9468 • E-ISSN: 1545-5920
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/08949468.2018.1497332
OpenAlexW2898482823
LanguageEN
Citations received2
References cited28

Cameras always seem to capture a little too little and a little too much. In ethnographic films profound insights are often found in the tension between what we are taught socially to perceive and the peculiar non-social perception of the camera. Ethnographic filmmakers study the worlds of humans while leaning on, and sometimes being inspired, obstructed and even directed by the particular non-human and monologic forms of seeing and hearing that a camera can produce. But how would a camera perceive the footage it produces, and what would it think of the various ways we use it? In this textual experiment, I imagine what different cameras might reply to these questions if they could speak. In doing so, I call attention to ethnographic filmmaking as a more-than-human, more-than-collaborative and more-than-dialogical mode of cultural critique

Dialogical self · Filmmaking · Mode (computer interface · Cinema and Media Studies · Participatory Visual Research Methods · Photography and Visual Culture

  • Collaboration in documentary filmmaking and its discontents

    Open Access•Sophie Schrago•Visual Anthropology Review•2024

  • Taking the Long Route

    D Docot•Current Anthropology•2019

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    Open Access•Immanuel Kant, G Banham et al.•Critique of Pure Reason, Second…•2007

  • Working Images

    Ana Isabel Alfonso, László Kürti et al.•Working Images•2004

  • Transcultural Montage

    Christian Suhr, Rane Willerslev•Transcultural Montage•2013

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    Saba Mahmood•Politics of Piety•2011

  • Tuhami

    Vincent Crapanzano•Tuhami•1980

  • On the dialogic of field work

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    Talal Asad•Formations of the Secular•2020

  • What’s a Cellphilm? Integrating mobile phone technology into participatory visual research and activism

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  • Collaborative Filmmaking

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  • Commentary

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  • The Parallax Effect

    Open Access•Faye Ginsburg•Visual Anthropology Review•1995

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    Open Access•Carolina Caffé, R S G Hikiji•Vibrant Virtual Brazilian…•2012

  • Collaboration against ethnography

    Open Access•P Kerim Friedman•Critique of Anthropology•2013

  • Can Film Show the Invisible

    Christian Suhr, Rane Willerslev•Current Anthropology•2012

  • Ethnographic Film as Exchange

    T Otto•Canberra Anthropology•2013

  • Filmmaking as Ethnographic Dialogues

    Anne Mette Jørgensen•Visual Anthropology•2007

Unique citing works2
Citations per year0,29
Citation span2019 - 2024 (6)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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