Taking the Long Route
Ethnographic Metacommentary as Method in the Anthropological Film Practice
Bibliographic Data
| ID | 2227283 |
|---|---|
| Authors | D Docot (0000-0003-2761-0944, corresponding author) |
| Year | 2019 |
| Volume | 60 |
| Issue | 6 |
| Pages | 774-795 |
| Publication date | 2019-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Current Anthropology (JOURNAL) |
| Journal identifiers | ISSN: 0011-3204 • E-ISSN: 1537-5382 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.1086/706564 |
| OpenAlex | W2990291690 |
| Language | EN |
| Citations received | 3 |
| References cited | 57 |
This article introduces "ethnographic metacommentary," an experiential, processual, and protracted approach to ethnography. My proposed method goes beyond stating complexity as the defining characteristic of an anthropological project, visual or otherwise. To demonstrate the method, I write an ethnographic metacommentary of my 3-minute film Performing Naturalness (2008), which is about the surveillance of foreigners in Tokyo. A number of contexts on the film are explored-the political situation from which it arose, the background of the experiment chosen for the project, and genealogies of art practice. The method includes the process of "furtherings"-self-reflexive explorations that unpack aspects of the project that often retreat from anthropological ethnography. Overall, in the process of writing this ethnographic metacommentary, this article explores the nuanced experiences of Filipinos in transnational migration, contributes to the conversation on contemporary Philippine conceptual art and its relationship with anthropology and film/art practice, and fleshes out difficulties of representation in collaborative projects due to differences in intentions and locatedness. I show how ethnographic metacommentary is a productive thought process that fleshes out ruptures in the filmmaking process that are often concealed from the audience, and even from the filmmakers
Aesthetics · Art · Conversation · Ethnography · Experiential learning · Filmmaking · Literature · Media studies · Narrative · Pedagogy · Political science · Politics · Process (computing · Reflexivity · Representation (politics · Sociology · Visual arts · Anthropological Studies and Insights · Anthropology · Communication · Computer Science · Philippine History and Culture · Southeast Asian Sociopolitical Studies
The Challenge of Practice
One Place after Another
Crafting Selves
Iconophobia
Picturing Culture
Discipline and Punish
The Presentation of Self in Everyday Life
Contemporary Art and Anthropology
Time and the Other
Materialising Oceania
The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage
Negative Productions during Fieldwork in the Hometown
Ethnographic Terminalia
Japayuki Cinderella girl
From dividual and individual selves to porous subjects
The Body in the Archives
The Costs of Privacy
Surveillance in Urban Japan
Toward Tautology
When Anthropology Meets Contemporary Art
Nakomaha
In Love with My Footage
Is Anthropology Art or Science? [and Comments and Reply]
The Invisible Theatre of Ethnography
RoundTrip
The Camera and Man
Things Fall Away
The gaze without eyes
Touching Feeling
Getting Personal
A phenomenology of whiteness
Bodies That Matter
The Gender of the Gift
Observing representational practices in art and anthropology - a transdisciplinary approach
An Ethnographic Filmflam
How Native Is a "Native" Anthropologist
The Corporeal Image
Telling Secrets, Revealing Lives
A new form of collaboration in cultural anthropology
The Time of Anthropology
Ethnographic fieldwork
Can Film Show the Invisible
Representation, Aesthetics, Politics
Dilemma of a Native
Camera Monologue
"Anthropologists Working "at Home
Contemporary Fieldwork Aesthetics in Art and Anthropology
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,6 |
| Citation span | 2021 - 2024 (4) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 3 |