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Utopia in Popular Management Writing and the Music of Bruce Springsteen

Do You Believe in the Promised Land

Bibliographic Data

ID2165577
AuthorsCarl Rhodes (0000-0002-6571-2872, corresponding author)
Year2004
Volume7
Issue1
Pages1-20
Publication date2004-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueConsumption Markets & Culture (JOURNAL)
Journal identifiersISSN: 1025-3866 • E-ISSN: 1477-223X
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/1025386042000212374
OpenAlexW2132260566
LanguageEN
Citations received9
References cited21

This paper interrogates and contrasts representations of work and Utopia in two examples of popular culture. The examples are a sample of contemporary popular management books and a sample of work-related themes in the popular music of Bruce Springsteen. In comparing the two the paper examines how they both use utopian representations as a key element of their claims, yet do so in markedly different ways. It is argued that Springsteen uses a "voice from within" to explore the ambiguities and paradoxes that emerge from the gap between real experience and utopian desire. Conversely, popular management books tend to speak from a "voice from above" that actively suppress ambiguity and ignore power in order to reproduce the dominant ethos of contemporary capitalism. Thus while popular management provides uncritical support for its imaginary Utopia, Springsteen provides a compelling critique of the promises of economic freedom through capitalism—promises which management writers are so often complicit in (re)producing

Art · Art history · Literature · Utopia · Music History and Culture · Race, History, and American Society · Theater, Performance, and Music History

  • ‘Macho’ managers and organizational heroes

    Open Access•Alexia Panayiotou•Organization•2010

  • Writing Responsibly

    Open Access•Carl Rhodes, Adalsteinn D Brown et al.•Organization•2005

  • Images of Organizing in Popular Culture

    Open Access•Carl Rhodes, M Parker•Organization•2008

  • Meaningful work? Nonprofit marketization and work/ life imbalance in popular autobiographies of social entrepreneurship

    Open Access•Sarah E Dempsey, Matthew L Sanders•Organization•2010

  • Commercial gender

    Carl Rhodes, A Pullen•Culture and Organization•2012

  • Deconstructing the manager

    Open Access•Alexia Panayiotou, Olivia Kyriakidou•Equal Opportunities International•2011

  • Music and Meaning on the Factory Floor

    Open Access•Marek Korczynski•Work and Occupations•2007

  • Experience economy in the making

    Askegaard, Soren Askegaard•Consumption Markets & Culture•2010

  • Revelations of cultural consumer lovemaps in Jamaican dancehall lyrics

    Barbara Olsen, Stephen J Gould et al.•Consumption Markets & Culture•2008

  • Business Ethics and the Origins of Contemporary Capitalism

    Open Access•Patricia H Werhane•Journal of Business Ethics•2000

  • Sexing the Groove

    Sheila Whiteley•Sexing the Groove•2013

  • Ideology and Utopia

    Karl Mannheim, Louis Wirth et al.•Journal of Educational Sociology•1941

  • Coffee and the Business of Pleasure

    Carl Rhodes•Culture and Organization•2002

  • Revisiting the Culture Industry Thesis

    Shane Gunster•Cultural Critique•2000

  • Literacy and a Popular Medium

    Open Access•Harvie Branscomb, H Eric Branscomb•The Journal of Popular Culture•1993

  • The Myth of Management

    Open Access•Martin L Bowles, Martin Bowles•Human Relations•1997

  • Critically Constituting Organization

    Andrew Chan•Critically Constituting…•2001

  • Science, Knowledge and Society

    Open Access•Jannis Kallinikos•Organization•1997

  • Rhythm and Resistance

    David Sanjek, Ray Pratt et al.•Journal of American Folklore•1996

  • A Tale of Two Enclosures

    Open Access•Bruce Mazlish•Theory Culture & Society•2003

Unique citing works9
Citations per year0.43
Citation span2005 - 2012 (8)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 9

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