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Deconstructing the manager

Discourses of Power and Resistance in Popular Cinema

Bibliographic Data

ID6058185
AuthorsAlexia Panayiotou (0000-0001-6351-4883, University of Cyprus, corresponding author)
EditorsOlivia Kyriakidou (0009-0009-5540-9747)
Year2011
Volume31
Issue1
Pages10-26
Publication date2011-12-30
Open AccessYes
TypeARTICLE
VenueEqual Opportunities International (JOURNAL)
Journal identifiersISSN: 1758-7093 • E-ISSN: 2040-7149
PublisherEmerald (PUBLISHER)
DOI10.1108/02610151211199191
OpenAlexW2019876206
LanguageEN
Citations received3
References cited22

Purpose This article aims to explore how mainstream popular cinema, usually a vehicle of effortless and accessible entertainment, produces or reproduces prevailing discursive constructs about managers, management and corporate firms and provides a cultural reading of organizations. Using a post-structuralist framework, it seeks to deconstruct the representations of managers in several popular films. It aims to propose that the analysis of this representation allows complex questions about the nature of power in organizations and the “opportunity costs” of resistance to be addressed

Aesthetics · Art · Entertainment · Mainstream · Media studies · Movie theater · Political science · Politics · Popular culture · Public relations · Sociology · Visual arts · Cinema and Media Studies · Cultural Industries and Urban Development · Law · Management and Organizational Studies

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Citations per year0.21
Citation span2012 - 2026 (15)
Highly citedNo

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