Cine cleptómano
Shame (2011) de Steve McQueen y la intertextualidad
Bibliographic Data
| ID | 21658973 |
|---|---|
| Authors | Manuel Antonio Díaz Gito (0000-0002-9229-6640, Universidad de Cádiz, corresponding author) |
| Year | 2020 |
| Issue | 51 |
| Pages | 125-149 |
| Publication date | 2020-11-11 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Secuencias Revista de Historia del Cine (JOURNAL) |
| Journal identifiers | ISSN: 1134-6795 • E-ISSN: 2529-9913 |
| Publisher | Servicio de Publicaciones de la Universidad Autonoma de Madrid (PUBLISHER) |
| DOI | 10.15366/secuencias2020.51.006 |
| OpenAlex | W3100683693 |
| Language | ES |
| References cited | 8 |
The aim of this paper is to analyse the transtextual features of Steve McQueen’s film Shame (2011), according to the methodology of the literary theorist Gerard Genette. A series of intertextual references in McQueen’s film has been identified and analysed; these allusions would connect Shame with other movies from the history of cinema and with the work of some of the greatest painters of the 20th Century. As a result, the film becomes a meaningful transtextual palimpsest which provides its own meaning from the combination of meanings of its underlying texts. In other words, Shame becomes a good example of «Kleptomaniac Cinema»
Art · Humanities · Political science · Shame · Law · Linguistics and Discourse Analysis · Literary and Cultural Studies · Semiotics and Representation Studies
| Highly cited | No |
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