Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Selfie

Digital Self-Portraits as Commodity Form and Consumption Practice

Bibliographic Data

ID2165985
AuthorsMehita Iqani (0000-0001-9746-8766, University of the Witwatersrand, corresponding author), Jonathan E Schroeder (0000-0003-3337-1310, Rochester Institute of Technology)
Year2016
Volume19
Issue5
Pages405-415
Publication date2016-09-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueConsumption Markets & Culture (JOURNAL)
Journal identifiersISSN: 1025-3866 • E-ISSN: 1477-223X
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/10253866.2015.1116784
OpenAlexW2209062797
LanguageEN
Citations received36
References cited25

Although selfies may appear to be the latest fad, their popularity has had a transformational influence on contemporary culture. Selfies invoke important issues in communication, photography, psychology, self-expression, and digital media studies – as they bring up a host of concerns about identity, privacy, security, and surveillance. This article provides an interdisciplinary overview of the selfie as both an object and a practice, and offers theoretical reflections on how the selfie can be seen as an important commodity form and consumer behaviour. The selfie is connected to concepts of authenticity, consumption, and self-expression, as well as practices of art history, media forms, and self-portraiture. Strategic use of the selfie reveals shifts in the traditional functions of the advertising photograph, from sources of information, persuasion, and representation to emblems of social currency. We position the selfie not as a postmodern anomaly but as a type of image with a history

Advertising · Aesthetics · Art · Business · Consumption (sociology · Identity (music · Media studies · Object (grammar · Political science · Popularity · Postmodernism · Selfie · Social media · Social science · Sociology · Visual arts · Cinema and Media Studies · Computer Science · Law · Photography and Visual Culture · Psychology · Social Psychology · Visual Culture and Art Theory · Artificial Intelligence

  • Being me on Instagram

    Open Access•Alila Pramiyanti•Asian Anthropology•2026

  • The Commodification of the Body Positive Movement on Instagram

    Open Access•Jessica Cwynar-Horta, Jessica Cristina Cwynar-Horta•Stream Interdisciplinary Journal…•2016

  • A Portrait of a ‘Selfie’ in the Making

    Open Access•Béatrice Trotignon•InMedia•2020

  • Cyber-physical traveler performances and Instagram travel photography as ideal impression management

    Open Access•Lauren A Siegel, Iis Tussyadiah et al.•Current Issues in Tourism•2023

  • From self(ie)-objectification to self-empowerment

    Open Access•Jessica F Saunders, Asia A Eaton et al.•Computers in Human Behavior•2020

  • Entornos digitales, conectividad y educación. Percepción y gestión del tiempo en la construcción de la identidad digital de la juventud

    Open Access•José Manuel Muñoz-Rodríguez, José Manuel Muñoz Rodríguez et al.•Revista Española de Pedagogía•2020

  • From Paris is Burning to #dragrace

    Zeena Feldman, Jamie Hakim•RuPaul’s Drag Race and the…•2023

  • Crafting the Digital Self

    Open Access•Joshua M Bluteau•Journal of Contemporary Ethnography•2025

  • Anxiety in digital consumer culture

    Open Access•Aliette Lambert, Alice Wickström•Consumption Markets & Culture•2024

  • No selfies

    Open Access•U Klein•Visual Studies•2023

  • Aberrant consumers

    Dawn Woolley•Fat Studies•2017

  • Selfies in ‘mommyblogging’

    Open Access•Michele Zappavigna, Sumin Zhao•Discourse Context & Media•2017

  • My sport, my perspectives

    Open Access•Andrew S Ro, Michele Zappavigna•Discourse Context & Media•2019

  • Self-Representations of Women’s Sport Fandom on Instagram at the 2015 Fifa Women’s World Cup

    Open Access•Kim Toffoletti, Ann Pegoraro et al.•Communication & Sport•2019

  • Digital heritage tourism

    Open Access•Trilce Navarrete•World Leisure & Recreation•2019

  • Do online crowds really exist? Proximity, connectivity and collectivity

    Rebecca L Lee•Distinktion Journal of Social…•2016

  • I will not hate myself because you cannot accept me ”

    Sonja Vivienne•Popular Communication•2017

  • Symbolic bordering

    Lilie Chouliaraki•Popular Communication•2017

  • Trans* media ecology

    Open Access•J E Hatfield•Explorations in Media Ecology•2021

  • The athletic labour of femininity

    Open Access•Kim Toffoletti, H Thorpe•Journal of Consumer Culture•2018

  • Why can’t I take a full-shot of myself? of course I can!” studying selfies as socio-technological affective practices

    Open Access•Kaisu Hynnä-Granberg•Feminist Media Studies•2021

  • R/23andMe and my pictures

    Open Access•Yukun Yang•New Media & Society•2025

  • The most inspiring bikini photos you’ll see this summer”

    Open Access•Mark A Rademacher•New Media & Society•2018

  • Body Surveillance on Instagram

    Open Access•Chelsea P Butkowski, Chelsea Butkowski et al.•Sex Roles•2019

  • Visitor perceptions of European Holocaust Heritage

    Open Access•A Craig Wight•Tourism Management•2020

  • E-mmortal

    Open Access•Shir Etgar, Bar Shutzman et al.•Psychological Reports•2024

  • The border as “other space”

    Open Access•Dianne Winkler•International Journal of Cultural…•2022

  • The sci-commodity sensibilities of performative Covid-19 face masking

    Open Access•Mehita Iqani•European Journal of Cultural…•2022

  • Holocaust heritage digilantism on Instagram

    Open Access•CRAIG WIGHT, A Craig Wight et al.•Tourism Recreation Research•2024

  • American Glamour 2.0

    Alice T Friedman•Consumption Markets & Culture•2017

  • Archaeological intimacy and heritage publics

    Open Access•Rutika Gandhi, Dick Geary et al.•Religion•2026

  • Performing Post-feminist Wealth

    Mehita Iqani•Australian Feminist Studies•2018

  • FromParis is Burningto #dragrace

    Zeena Feldman, Jamie Hakim•Celebrity Studies•2020

  • The labour of visual authenticity on social media

    Open Access•Phoebe Maares, Sandra Banjac et al.•Poetics•2021

  • Selfie consumerism in a narcissistic age

    Derek Conrad Murray•Consumption Markets & Culture•2020

  • Kinfolkmagazine

    Jonathan Bean, Avid Khorramian et al.•Consumption Markets & Culture•2018

  • Visual Consumption

    Jonathan E Schroeder, Jonathan Schroeder•Visual Consumption•2002

  • Domestic Snapshots

    Open Access•David L Jacobs•Journal of American Culture•1981

  • The “Eternal Return”

    Amelia Jones•Signs: Journal of Women in…•2002

  • Picturing the Self

    Open Access•Frances Borzello•The Art Book•2005

  • Snapshots

    Geoffrey Batchen•Photographies•2008

  • Snapshots, or

    Lynn Berger•Photographies•2011

  • Stance-taking and public discussion in blogs

    Greg Myers•Critical Discourse Studies•2010

  • Self-mediation

    Lilie Chouliaraki•Critical Discourse Studies•2010

  • Cowboys, Outlaws and Artists

    Open Access•Jacqueline Botterill•Journal of Consumer Culture•2007

  • Picture This

    Lisa Gye•Continuum•2007

  • Media Culture

    Douglas Kellner•Media Culture•2003

  • The Consumer Society

    Jean Baudrillard•The Consumer Society•1998

  • Selfies, Image and the Re-making of the Body

    Open Access•K Tiidenberg, Edgar Gómez Cruz et al.•Body & Society•2015

  • Instafame

    Alice E Marwick, Arthur Marwick•Public Culture•2015

  • The Quest for Authenticity in Consumption

    Michael B Beverland, Michael Beverland et al.•Journal of Consumer Research•2010

  • Notes to self

    Derek Conrad Murray•Consumption Markets & Culture•2015

  • Brand Culture and Branded Workers

    Lynne Pettinger•Consumption Markets & Culture•2004

Unique citing works36
Citations per year3,6
Citation span2016 - 2026 (11)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 35

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae