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Turning points in shaping choral conducting practice

Six tales of Norwegian conductors’ professional development

Bibliographic Data

ID21717710
AuthorsDag Jansson (0000-0001-7453-5276, OsloMet – Oslo Metropolitan University, corresponding author), Anne Haugland Balsnes (0009-0002-8116-1932, University of Ager)
Year2022
Volume24
Issue2
Pages195-208
Publication date2022-03-15
Open AccessYes
TypeARTICLE
VenueMusic Education Research (JOURNAL)
Journal identifiersISSN: 1461-3808 • E-ISSN: 1469-9893
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14613808.2022.2053507
OpenAlexW4220757472
LanguageEN
Citations received3
References cited41

Based on narratives on six choral conductors’ unfolding careers, the article investigates significant moments in professional trajectories – turning points – and how these shaped ongoing practices. The empirical material comprises interviews with conductors that represent different pre-conducting platforms – musicologist, music therapist, music educator, instrumentalist, singer, and church musician. Narratives present both an ontological view of experience – lived life is told life – and a methodology where the narrative analysis is the researchers’ integral retelling of fragments and episodes provided by the informants. The article draws on sensemaking theory to understand how the conductors attend to certain experiences, whether painful or pleasurable, and make their ongoing practice meaningful by modifying course of action as well as identity. A common theme is how they unexpectedly were thrown into the conductor position in their youth. Formal conductor education seems to take a highly ambiguous position in their developments, for some productive – and for some, even disruptive

Art · Choir · Linguistics · Music education · Norwegian · Pedagogy · Professional development · Sociology · Visual arts · Diverse Music Education Insights · Music Therapy and Health · Philosophy · Theatre and Performance Studies

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Citations per year3
Citation span2026 - 2026 (1)
Highly citedNo

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