Cruising Utopia with Brittany Howard
Jaime 's Queer Afrofuturism
Bibliographic Data
| ID | 21728524 |
|---|---|
| Authors | Francesca T Royster (0000-0001-5905-823X, corresponding author) |
| Year | 2021 |
| Volume | 18 |
| Issue | 1 |
| Pages | 13-28 |
| Publication date | 2021-02-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | twentieth-century music (JOURNAL) |
| Journal identifiers | ISSN: 1478-5722 • E-ISSN: 1478-5730 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s1478572220000249 |
| OpenAlex | W3117490440 |
| Language | EN |
| Citations received | 1 |
| References cited | 15 |
Inspired by Brittany Howard's solo album Jaime (2019), this contribution creates a conversation between music studies, queer studies, African American Literature, and memoir to think about lived ways of understanding, performing, and participating in music to create a future of inclusion. I argue that Black queer strategies of listening and musicking contributes to a new layer of music, the dream space, which helps us understand the impact of music on everyday life
Active listening · Aesthetics · Art · Art history · Conversation · Dream · Jazz · Memoir · Queer · Sociology · Utopia · Visual arts · Cinema and Media Studies · Communication · Gender Studies · Gender, Feminism, and Media · Music History and Culture · Psychology
In the break
Utopia in Performance
Afrofuturism
Musicking
Afrofuturism and Black Sound Studies
Punks, Bulldaggers, and Welfare Queens
"Quare" studies, or (almost) everything I know about queer studies I learned from my grandmother
Afrofuturism and Post-Soul Possibility in Black Popular Music
Punks, Bulldaggers, and Welfare Queens
Feenin
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2024 - 2024 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |