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The Political Interpretation of Performance Framework in Anthills of the Savannah and Half of a Yellow Sun

Bibliographic Data

ID21728931
AuthorsJing Duan (0000-0001-5557-6881, Purdue University West Lafayette, corresponding author)
Year2023
Volume24
Issue5
Publication date2023-02-26
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCLCWeb Comparative Literature and Culture (JOURNAL)
Journal identifiersISSN: 1481-4374 • E-ISSN: 1481-4374
PublisherPurdue University (bepress) (PUBLISHER)
DOI10.7771/1481-4374.3988
OpenAlexW4322495049
LanguageEN
Citations received1
References cited2

The focus of discussion in this paper lies in a perception that orature of African written literature is not innocent but a form of control. Operated through its performance framework, the concept of orature provides an angle to observe how African oral tradition penetrates written literature and cultivates an awareness of the political nature both of the material to be written and of the writing process itself. This paper explores the performance framework in two African novels — Achebe’s Anthills of the Savannah and Adichie’s Half of a Yellow Sun. Through such key concepts as event, narrative and self-reflexivity in performance theory, readers can perceive how the spatiotemporal dimension and audience-performer relationship are manipulated and how the four realms of African orature are reflected in these two novels and thereby help decipher their specific political connotations. Achebe and Adichie’s writing practices have indeed created a new purpose for orature in Nigerian literature

Aesthetics · Art · Epistemology · Linguistics · Literature · Narrative · Perception · Performing arts · Political science · Politics · Reflexivity · Sociology · Anthropology · Computer Science · History · Law · Philosophy · Postcolonial and Cultural Literary Studies

  • The Postmodern-Postcolonial Synergic Interfaces in Chinua Achebe’s Anthills of the Savannah

    Open Access•Monir A Choudhury•Journal of Ecohumanism•2025

  • Verbal art as performance

    Richard Bauman•Verbal art as performance•1977

  • Reflexivity

    Open Access•Barbara A Babcock•Semiotica•1980

Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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